Scott Nicolay

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Tag: Who Goes There

Stories from the Borderland #11: “The Cactus” by Mildred Johnson

pulplt507

“The Cactus” in its original appearance in Weird Tales, Jan. 1950.

Previous episodes of Stories From the Borderland have already considered how both the comics industry and Hollywood shamelessly plundered the old pulps for story ideas. Theodore Sturgeon’s “It!” (1940) spawned a long lineage of comic book swamp monsters, beginning with Heap in 1942, while the illicit progeny of Joseph Payne Brennan’s “Slime” from The Blob on down are almost as numerous. At least Who Goes There received credit in three out of four film adaptations—although The Crawling Horror did not, even when it was ripped off directly in a comic story with the same title in the November 1954 issue of Terror Tales. Continue reading

Stories from the Borderland #10: “Who Goes There?” by John W. Campbell and “The Crawling Horror” by Thorp McClusky

AVONFR61948 “We must make friends with the many-tentacled alien idea.”
—John H. Lienhard, “Medicine and Maggots”

Hardly a week goes by without at least one reference to John Carpenter’s 1982 masterpiece The Thing appearing in my Facebook feed. No other film has wound its way so deeply into the collective psyche of the quirky amorphous Weird Fiction community that comprises the largest single segment of my social network. Although Carpenter’s film is essentially a science fiction film in its elements and a work of horror in its structure, a powerful consensus clearly exists that it constitutes the finest and purest exemplar of The Weird in cinema. Interestingly its closest rivals to this title, Alien (1979) and Phase IV (1974), are also science fiction/horror hybrids. This aspect of The Weird’s manifestation on the screen deserves further exploration…but not right now, not while we have other dark fissures to explore. Continue reading

Stories from the Borderland #9: “Feesters in the Lake” by Bob Leman

feesters-midnighthouseSeveral years ago John Pelan and I were shooting pool at Sammy C’s in Gallup, New Mexico. As usual, he was running the table, and also as usual we were shooting the shit about Weird Fiction. I put forth the proposition that H.P. Lovecraft’s oeuvre really only offered at most half a dozen or so genuinely great stories, and after that the drop-off comes on steep as the continental shelf—for the record, my picks are “The Colour Out of Space,” “The Dunwich Horror,” “The Call of Cthulhu,” “The Shadow Over Innsmouth,” “The Outsider,” and maybe “The Music of Erich Zann.” I’m open to a discussion of “Pickman’s Model,” “The Festival,” and maybe a few others, but that’s pretty much it. Continue reading

John C. Foster: On the Road of a Dark Americana | The Outer Dark: Episode 23 — DECEMBER 15, 2015

Dead-Men-updated-coverJohn C. Foster unburies the genesis of his Libros de Inferno trilogy (Perpetual Motion Machine Publishing) which starts with Dead Men, playing in an ugly rough reality that is slipping and in decay, how he develops his storytelling via set pieces and way stations, his repulsion for spoon-feeding readers, his fascination with the concept of dread and creating a sense of jeopardy even for a tough guy, aiming for a dark Americana, Dead Men’s setting in Texas and northern Mexico, moving the second novel Night Roads (Oct. 2016) to Louisiana, blending hard-boiled and noir with more horrific elements, square-jawed heroes versus flawed characters in new lives, a dialogue with Frankenstein’s creation, writing as a corridor with many windows and doors, a Star Wars interlude, his influences including Stephen King, Raymond Chandler and Donald Westlake’s Parker novels, his other upcoming novel which is a dark espionage thriller called Mr. White (Grey Matter Press, March 2016), why you should “get out of the way when you see that Foster-John Smith sketchblack Cadillac coming,” using Mad Max as a structural model, epic narratives such as Gilgamesh and the notion of demi-Gods, revealing character through action, burial suits, damned books, occult versus super-science, the fearlessness of Laird Barron, what’s next for John including another novel, collection and upcoming short stories including “Dead Air” in the highly anticipated Lost Signals, edited by Max Booth III, and his reading recommendations of other contemporary writers to watch including Peter Straub (Koko), Josh Malerman (Bird Box), Paul Tremblay (A Head Full of Ghosts) and Thomas Ligotti (Penguin editions).

case6.000x9.000.inddNews of the Weird with Justin Steele includes the monumental anthology Leena Krohn: Collected Fiction and the VanderMeer Winter Mix StoryBundle which also includes eBooks of Anna Tambour’s Crandolin, Michael Cisco’s The Narrator, and seven other exciting works, an exciting offer which expires on Dec. 31. Also another major story reveal from Lost Signals, edited by Max Booth III, another upcoming Laird Barron novella, an update on Lovecraft eZine’s Autumn Cthulhu Kickstarter, the Ramsey Campbell tribute anthology The Children of Gla’aki. edited by Brian M. Sammons and Glynn Owen Barrass (Dark Regions Press) and new books from Dunhams Manor Press. Plus, a clue about Stories from the Borderland #3, posting tomorrow at www.ScottNicolay.com and artist Michael Bukowski’s yogblogsoth.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.

Next week’s guest: Laird Barron and Justin Steele join Scott for a roundtable on The State of the Weird 2016.

It’s a great drug Ultram intended for the treatment of moderate to severe pain.

More Links:

https://chizinepub.com/books/license-expired

https://en.wikipedia.org/wiki/Leigh_Brackett

https://www.strange-aeons.com/

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