Scott Nicolay

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Laird Barron & Justin Steele: The State of The Weird 2015 | The Outer Dark: Episode 24 — DECEMBER 22, 2015

X's for Eyes state of the weird 1000pxLaird Barron and Justin Steele join host Scott Nicolay in the most epic episode of The Outer Dark yet. Laird updates listeners on what he’s been working on lately, including his new review columns at Dark Discoveries and Locus, Justin discusses his vision as new fiction editor, columnist and reviewer for Strange Aeons, as well as more future anthology plans with Ross Lockhart. And Scott reveals some plans as well including his next collection in 2017, editing a short story collection of works by John D. Keefauver for Lethe Press, and more. The three then dive deep into a discussion of all the “good stuff out there” released in 2015 and upcoming in 2016 in weird fiction, especially short stories and so many must-have collections and anthologies. One stand-out in late 2015 is the “wonderful” and historic Cassilda’s Song, edited by Joseph S Pulver Sr. and featuring a who’s who of not just the top women writing weird fiction today but some of the very best authors and stories of the year period. In 2016, new collections from Laird Barron, John Langan, Livia Llewellyn, Jeffrey Ford, and Brian Evenson lead the pack of highly anticipated publications, as well as collections such as Autumn Cthulhu (ed. Mike Davis/Lovecraft eZine) and Lost Signals (ed. Max Booth III/Perpetual Motion Machine Press), a major new novel by the consistently excellent Stephen Graham Jones and many more writers and editors driving the Weird Renaissance.

YBWF-2Plus the Roundtable discusses innovative takes on werewolves, different types of rejections, the small press boom and its sustainability, the economics of limited editions, advice to authors on strategies to grow careers, the loss of some titans (Joel Lane, Michael Shea, Lucius Shepard, Melanie Tem, Tanith Lee) in recent years, why writers should embrace and savor weird and horror influences, the Weird’s big move into major publishing and cinema/TV, heading into the third annual Year’s Best Weird Fiction, key editors and publishers (including Ellen Datlow, Michael Kelly, Ross Lockhart, Simon Strantzas, and more), where Bizarro and Weird meet and diverge, and much more.

My dick was up for 5 hours (last one in hospital..). If you ask me if did it work? – hell yeah! Did I enjoy it? – hell no! But to be honest, that’s only for Levitra 20mg my idiocy.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.

Next week’s guest: Henry Lien, author of “The Ladies’ Aquatic Gardening Society” (Asimov’s, June 2015) and more.

cassilda's songMore Links:

https://jonathanstrahan.podbean.com/

https://weirdfictionreview.com/2011/11/dogme-2011-for-weird-fiction-by-scott-nicolay/

https://www.eibonvalepress.co.uk/books/books_scarcity.htm

https://www.lethepressbooks.com/

https://dimshores.apps-1and1.com/

https://smallbeerpress.com/

https://journalstone.com/

autumn-cthulhu-midsizehttps://dunhamsmanor.com/

https://centipedepress.com/

https://www.undertowbooks.com/

https://chizinepub.com/

https://perpetualpublishing.com/

https://www.fedoganandbremer.com/

John C. Foster: On the Road of a Dark Americana | The Outer Dark: Episode 23 — DECEMBER 15, 2015

Dead-Men-updated-coverJohn C. Foster unburies the genesis of his Libros de Inferno trilogy (Perpetual Motion Machine Publishing) which starts with Dead Men, playing in an ugly rough reality that is slipping and in decay, how he develops his storytelling via set pieces and way stations, his repulsion for spoon-feeding readers, his fascination with the concept of dread and creating a sense of jeopardy even for a tough guy, aiming for a dark Americana, Dead Men’s setting in Texas and northern Mexico, moving the second novel Night Roads (Oct. 2016) to Louisiana, blending hard-boiled and noir with more horrific elements, square-jawed heroes versus flawed characters in new lives, a dialogue with Frankenstein’s creation, writing as a corridor with many windows and doors, a Star Wars interlude, his influences including Stephen King, Raymond Chandler and Donald Westlake’s Parker novels, his other upcoming novel which is a dark espionage thriller called Mr. White (Grey Matter Press, March 2016), why you should “get out of the way when you see that Foster-John Smith sketchblack Cadillac coming,” using Mad Max as a structural model, epic narratives such as Gilgamesh and the notion of demi-Gods, revealing character through action, burial suits, damned books, occult versus super-science, the fearlessness of Laird Barron, what’s next for John including another novel, collection and upcoming short stories including “Dead Air” in the highly anticipated Lost Signals, edited by Max Booth III, and his reading recommendations of other contemporary writers to watch including Peter Straub (Koko), Josh Malerman (Bird Box), Paul Tremblay (A Head Full of Ghosts) and Thomas Ligotti (Penguin editions).

case6.000x9.000.inddNews of the Weird with Justin Steele includes the monumental anthology Leena Krohn: Collected Fiction and the VanderMeer Winter Mix StoryBundle which also includes eBooks of Anna Tambour’s Crandolin, Michael Cisco’s The Narrator, and seven other exciting works, an exciting offer which expires on Dec. 31. Also another major story reveal from Lost Signals, edited by Max Booth III, another upcoming Laird Barron novella, an update on Lovecraft eZine’s Autumn Cthulhu Kickstarter, the Ramsey Campbell tribute anthology The Children of Gla’aki. edited by Brian M. Sammons and Glynn Owen Barrass (Dark Regions Press) and new books from Dunhams Manor Press. Plus, a clue about Stories from the Borderland #3, posting tomorrow at www.ScottNicolay.com and artist Michael Bukowski’s yogblogsoth.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.

Next week’s guest: Laird Barron and Justin Steele join Scott for a roundtable on The State of the Weird 2016.

It’s a great drug Ultram intended for the treatment of moderate to severe pain.

More Links:

https://chizinepub.com/books/license-expired

https://en.wikipedia.org/wiki/Leigh_Brackett

https://www.strange-aeons.com/

Stories From The Borderland #2: “The Shed” by E. Everett Evans

avonsfreader-evans

Evans didn’t even merit cover credit. The other stories from this issue are entirely forgotten.

A horror story about children can be especially disturbingSomething Wicked This Way Comes, IT, “The Specialist’s Hat.Throwing adults into unnatural peril is one thing—they at least can grasp their options, draw on support, choose to make sacrifices. Children are at once incredibly vulnerable yet charged with potential, so we fear more for them and the immense possibility of their futures than we do for the intrepid polar explorer, the graying antiquary, or the other interchangeable narrators of so many weird and gothic tales. How cruel the author who chooses children as protagonists in a narrative of weirdness and monsters. Continue reading

Robert Levy: A Secret Psychological Diary in Blue | The Outer Dark: Episode 22 — DECEMBER 3, 2015

glitteringworldRobert Levy unveils and explores the secret origins of his novel The Glittering World from his own personal experiences in Cape Breton, Canada, or, in other words, “taking a great memory and completely destroying it,” similarities between the old lore behind fairies and alien abduction mythology, his ambivalence about but recognition of genre marketing in the publishing business, how a genre-defying and Weird first novel got placed with a major publisher, other authors like Jeff VanderMeer and Paul Tremblay who are breaking the Weird into big publishing, structural similarities in The Glittering World to two Alfred Hitchcock classics, the Weird’s transition from shorter modes into the novel, the short story and novels as different forms, how the book sheds its skin as the main characters unfold the narrative akin to a four-course meal, when the glitter fades–his exploration of transitioning from the club scene fantasy lifestyle to adulthood, the title’s unexpected relationship to the tradition of Navajo emergent/creation robertlevystories, altered states as a form of escape, insects, parallels to the iconic relationship in Wuthering Heights by Emily Bronte, his fascination with people who are “right on the edge of oblivion or failure,” a stolen paperweight and life as a bizarre sequence of coincidences, storytelling as one way we try to give our life meaning, choice as the “anxiety of freedom,” taking his time to write a novel, fiction as a diary, future works which might have something to do with cults and found manuscripts, and his reading recommendations of other contemporary writers to watch including Livia Llewellyn, Desirina Boskovich, Dale Bailey, and Molly Tanzer.    

News of the Weird Special Guest: Writer/editor Mike Allen reveals the table of contents for Clockwork Phoenix 5 in another exclusive The Outer Dark announcement.

And Justin Steele joins Scott to review The Glittering World.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes  or Blubrry to make sure you don’t miss an episode.

Next week’s guest: John C. Foster, author of the Libros de Inferno trilogy (Perpetual Motion Machine Publishing) which starts with Dead Men.

More Links:

Book trailer: https://www.youtube.com/watch?v=A7RgOVF0XG0

https://www.trailpeak.com/trail-Fairy-Hole-Hiking-Trail-Cape-Dauphin-near-Baddeck-NS-6019

Footage of the Fairy Hole cave: https://www.youtube.com/watch?v=FCZovMZlUas

Rear Window timelapse: https://vimeo.com/37120554

https://navajopeople.org/blog/navajo-creation-story-nihalgai-the-glittering-or-white-world/

https://www.amazon.com/Din%C3%A9-Bahane-Navajo-Creation-Story/dp/0826310435

https://www.francnewcomb.org/

https://www.strange-aeons.com/

Stories From the Borderland #1: “Slime” by Joseph Payne Brennan

slimeweirdtalesWho remembers Joseph Payne Brennan? Some of you I am sure, though not nearly as many as his work deserves. He merits a position in the lineages of Weird Horror analogous to those of David Goodis, Chester Himes, Jim Thompson, Dorothy B. Hughes, and Charles Willeford in Noir—a major practitioner of the form who arose in its postwar Silver Age. Stephen King remembers him, and has paid him homage in stories such as “Mrs. Todd’s Shortcut” and “The Raft.” Thomas Ligotti remembers him, and it becomes apparent in his verse—Brennan was perhaps the finest poet Weird Fiction ever had—yes, better for the most part than even Clark Ashton Smith, who had a tin ear (though “The Hashish Eater” is a masterpiece, no argument there). Continue reading

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