A double veil extends between the monoglot Anglophone reader and Jean Ray’s oeuvre. As with Joseph Payne Brennan, with whom Michael and I began this series several weeks ago, death and subsequent estate issues choked off the publication of much of his work for decades, but of course it is the immense and elemental barrier of Babel that yet separates most of his work from readers in the Anglosphere. The Belgian School of the Weird produced many great authors, but even from amongst the ranks of Anne Richter, Thomas Owen, Franz Hellens, and Jean Muno, only Raymundus Joannes de Kremer, AKA Jean Ray, rose to the status of “the Belgian Poe.”
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Scott Nicolay
Ana Kai Tangata
Tag: Edgar Allan Poe
Clint Smith talks about his latest story in C M Muller’s journal Nightscript and the excitement of sharing a table of contents with both other established and emerging voices, the strength and good new work in the Weird fiction community now, his first collection Ghouljaw and Other Stories, the weirdness of Henry James’ “The Jolly Corner,” his repetitious obsession with haunted houses, his knack for crafting titles that resonate, allusions to Night Gallery and The Day of the Locust, his propensity towards young protagonists trapped on the path to adult maturity, the barbershop and other father-son rituals, a favorable comparison to Breece D’J Pancake, when insects intrude into the house, a Bradbury inversion, obstacles and contradictions in the 
Middle American town, a pleasant face on the street, his background in the culinary arts, a future work involving race, sex and hierarchy in restaurant kitchens of the 1950s, moving away from the single white male protagonist to use the Weird to engage in more robust relationship issues, his Dunhams Manor chapbook “When It’s Time For Dead Things To Die,” his story “The Fall of Tomlinson Hall” in Mythic Indy, more upcoming work including “Dirt on Vicky” in Year’s Best New Horror 26 edited by Stephen Jones, and his reading recommendations of contemporary Weird writers including Kristi DeMeester, Ralph Robert Moore, Marc E. Fitch and Christopher Slatsky.
News of the Weird Special Guest: Michael Kelly, editor/publisher of Undertow Publications and 2015 World Fantasy Award nominee for the journal Shadows and Tall Trees, visits The Outer Dark to remind writers, editors and publishers that the deadline draws near for Year’s Best Weird Fiction, Volume 3, edited by Simon Strantzas. Send all submissions (up to 20,000K) to bestweirdfiction@gmail.com before Dec. 31. Michael also previews upcoming 2016 Undertow releases.
And Justin Steele joins Scott to review X’s for Eyes, the latest novella by Laird Barron and a JournalStone/Bizarro Pulp Press release in softcover and eBook in December.
This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.
Next week’s guest: Robert Levy, author of The Glittering World.
More Links:
Twitter: @clintsmithtales
Cooking: cookingwithclint.com
https://www.theguardian.com/books/2014/aug/08/breece-pancake-trilobites-baffled-love
https://www.indiegogo.com/projects/mythic-indy-an-anthology-of-short-stories#/
https://www.indystar.com/story/entertainment/2015/11/04/mythic-indy-looking-beyond-legends/75169948/
Orrin Grey, author of Painted Monsters & Other Strange Beasts, shares the secret origins of his latest collection including how artist Nick Gucker deftly worked details from all the stories into a monstrously macabre cover, the dialogue with horror cinema from Universal to Hammer to giallo that runs through his wonderfully plotted works, what he describes as a “Clive Barker influence,” exploring “philosophy” through narrative, using tropes as shorthand but in surprising, unconventional ways, ghost stories not about ghosts as we expect them to be, similarities to Robert Aickman, acknowledging and celebrating dramatic influences from William Shakespeare to William Castle, the extraordinary significance of Peter Bogdanovich’s Targets starring Boris Karloff and how that film juxtaposed an older Gothic, creepy school of horror with the modern paranoia-laced violent horror of the Sixties, scholarly approaches versus jazz riffing on many different traditions of horror film and literature especially in the title story, his love of wax museums, the dialogue between the stories in both of his anthologies, John Langan who wrote the introduction, his obsession with obsession, The Prestige, twin novella finales about selling your soul to the Devil, what he learned about pacing from Mike Mignola and giving the Golem the Universal treatment via Hellboy pulp expressionist styling, affinities with Belgian Weird author Jean Ray and buried Malpertuis in “Painted Monsters,” Old Dark House movies, death as a recurring theme in every single story, what’s next for Orrin Grey including stories, novellas, and a nonfiction book about horror films, talking movies with Gemma Files, musing about seeing his own work someday on film, and his recent reading recommendations including previous The Outer Dark guest Silvia Moreno-Garcia and Amanda Downum.
Justin Steele reviews Orrin Grey’s Painted Monsters & Other Strange Beasts, and joins Scott for this week’s installment of News from the Weird including coverage of World Fantasy Convention 2015 and the World Fantasy Awards, as well as exciting upcoming collections, novels and other works by some of the biggest names in Weird.
This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.
More Links:
https://www.patreon.com/orringrey?ty=h
https://www.strange-aeons.com/
Next week’s guest: Mike Davis, editor/publisher of Lovecraft eZine. and the upcoming anthology, Autumn Cthulhu.
Nick Gucker, AKA Nick the Hat, one of weird fiction’s most beloved artists and the designer of The Outer Dark’s logo, shares his secret superhero origin story growing up weird on the water and in the woods of rural Alaska, how he journeyed south to Seattle to study art and play in punk rock bands, his early love of Ambrose Bierce, an affection for the surreal naturalist horror of Algernon Blackwood, physicality and monsters in William Hope Hodgson’s work, strange fish and the deep abyss of the ocean in his art, peeling back and creasing the skin in anatomy class and beyond, an odd subliminal influence of Dr. Seuss fueled 
perhaps by the more disturbing aspects of Yertle the Turtle and the sheer terror of the pants with nobody inside them, designing the logo for The Outer Dark, finding a home at the H.P. Lovecraft Film Festival and NecronomiCon Providence, adventures in Bali and Asian influences on his art, his favorite punk rock outsider artists from Blinko to Walsby, complexity in his art as a way to entice observers to explore the image longer and more deeply, collaborating with authors/publishers/magazines/convention organizers throughout the Weird Renaissance, recent work including the cover for Orrin Grey’s Painted Monsters and Other Strange Beasts (Word Horde), his commitment not to indulge in the exploitative side of pulp art, what he’s working on now and next, and his recommended artists working in the Weird today including Mike Dubisch, Mike Bukowski, Jeanne D’Angelo, Dave Felton, Chris Mars, Skinner, Paul Komoda, Josh Yelle, Allen Williams, Robert H. Knox and Liv Rainey-Smith.
This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.
More Links:
“What Was I Scared Of” By Dr. Seuss. https://www.youtube.com/watch?v=xxuhKur2IYo
https://www.outsiderart.co.uk/blinko.htm
https://www.pusfan.com/art.htm
https://dennisdread.blogspot.com/2007/06/legacy-of-mad-marc-rude.html
https://www.brianwalsby.net/BrianWalsby.net/Home.html
Next week’s guest: Craig Laurance Gidney, author of Skin Deep Magic (Rebel Satori Press) and The Nectar of Nightmares (forthcoming from Dim Shores)
Daniel Mills, author of the 2014 critically acclaimed collection The Lord Came at Twilight, discusses how his writing engages with historical voices such as Hawthorne, Chambers and others, rediscovering obscure authors of the 19th and 20th centuries who delved into weird, ghosts and the supernatural, the tendency among contemporary weird writers to be archivists/archaeologists digging into old sources for forgotten gems, his wistful yearning for past eras such as Colonial America versus confronting the spiritual corruption of American history in his stories, presenting a mannered lyrical approach to storytelling in a fresh and contemporary application, the artistry of depicting grotesque material with beautiful prose, modern cinematic writing versus language itself as “a world where you can disappear,” narrative restraint and the horror that happens offstage, courtships that reflect the intersection of deeply repressed desires and warped worldviews, clerical characters and the contradictions of America’s Christian mythos, creative misremembering, balancing presentism and historicism, discovering a shared New England sensibility with Matthew Bartlett, NecronomiCon Providence and the excitement and critical mass of today’s Weird Renaissance, the resounding influence of John Bellairs, upcoming projects including short stories, a novella and a second novel inspired by the spiritualism and theosophy movements of the late 19th century, and his current recommended reading including Reggie Oliver and Orrin Grey.
This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.
More Links:
“Brickett Bottom” by Amyas Northcote: https://gutenberg.net.au/ebooks06/0606161h.html#s2
Next Week’s Guest: Niels Hobbs, Director of NecronomiCon Providence.
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