The Outer Dark
“Scott Nicolay analyzes horror like no one else out there. Give his show a listen, I guarantee you won’t regret it.”—Max Booth III, 8 Great Podcasts for Writers, LitReactor.com
Scott Nicolay
Ana Kai Tangata
Page 17 of 20
Moderator: Ross E. Lockhart. Panelists: Garrett Cook, G. Arthur Brown, Mike Griffin, Rios De La Luz.
Writers and editors working in Bizarro and Weird discuss the Germanic origins of the word “weird” in “wyrd” and how its association with fate and destiny continues in the contemporary Weird narrative form, whether Weird and Bizarro grew out of same sense of the Weird or are unrelated movements, authors who have walked between the lines of Weird or Bizarro in mind-blowing works of fiction, film and comics, the importance of dream realms and logic in Bizarro Weird fiction, if New Weird and Bizarro are different blurry wings on the same creature, similarities to the loud versus quiet horror rift, artificial taxonomies and bleed-through, slipstream as literary effect, Bizarro as a movement and a community, irreality versus surreality and how it might relate to Weird, objective vs. subjective lies, magic in fantasy versus Bizarro, and more.
Thanks to Helen Hopley for the panel photo.
This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.
More Links:
https://www.fedoganandbremer.com/products/ana-kai-tangata-deluxe-limited
https://cafeirreal.alicewhittenburg.com/index.htm
Next on Nov. 11: Orrin Grey, author of Painted Monsters & Other Strange Beasts.
Justin Steele, The Outer Dark’s resident reviewer, talks about his vision as the new fiction editor for Strange Aeons, how he went from fan to big-time editor, the roots of his blog Arkham Digest, the weirdness of growing up and living in Delaware, how he got into horror books and Universal classic monster and giallo movies on VHS, the significance of the 2013 NecronomiCon Providence and its role in the secret origins and intelligent design of The Children of Old Leech which he co-edited with Ross E. Lockhart, books and whiskey pairings, future projects which may involve sharpening swords and his own fiction, transgressive writers including Alistair Rennie, why it would be prime time for a new horror anthology TV series adapting the feast of contemporary Weird stories, why Ask Lovecraft’s Leeman Kessler would be the ultimate horror host, and spreading the gospel of the Weird.
Plus Kristi DeMeester makes a guest appearance to preview her story, “The Fleshtival,” upcoming in Strange Aeons, and how she had a blast writing something so much more raw and filthy than she is used to, as well as her recently completed first novel, her first collection, more upcoming stories including “To Sleep in the Dust of the Earth” in Shimmer on 12/1, and her recommended current authors including Michael Wehunt.
And the debut of News from the Weird.
Please share your Levitra experience, or if you know some one who know the answer.
This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.
Next week’s guest: Orrin Grey, author of Painted Monsters & Other Strange Beasts.
Dwayne Olson of Fedogan & Bremer discusses the authoritative new two-CD audio re-release of this legendary horror press’s first audio publication, H.P. Lovecraft‘s sonnet cycle Fungi From Yuggoth, including the back story of the bonus disk with never-before-recorded musical pieces by composer Harold S. Farnese such as “Mirage” and “The Elder Pharos“—the only musical settings of the sonnets approved by Lovecraft himself—shared roots in the discovery of Lovecraft through The Dunwich Horror in the Scholastic Press collection 11 Great Horror Stories (1969), how great Weird writers have been lost through poor estate planning or legal controversies, the early days, ongoing history, mission and camaraderie of Fedogan & Bremer, his own early involvement via publishing works by authors/brothers Howard Wandrei and Donald Wandrei (co-founder with August Derleth of Arkham House), the evolution of the sonnet cycle and Fungi from Yuggoth as an important American poetic work, other Weird Circle poets such as Clark Ashton Smith and the oft-forgotten Joseph Payne Brennan, the recurring theme of finding weird books in bookstores in weird fiction, Lovecraft’s unusual sonnet form choice, echoes of key themes and tropes from Lovecraft’s work in the sonnets, similarities between Lovecraft and Kerouac, the sublime non-horrific ending, why Fungi deserves more attention, the planet Pluto in the news, the challenges of running a specialty press, the popularity of Lovecraft today, and his reading recommendations by more obscure lost writers including Unthinkable by Francis H. Sibson, a pre-WW2 novel in which a stranded Antarctica expedition returns to a post-apocalyptic world, and The Thing from the Lake by Eleanor Ingram, which he describes as Lovecraftian fiction before Lovecraft, as well as what’s next from Fedogan & Bremer including a new John Pelan collection, an alternate Fungi from Yuggoth read by William Hart with music by Graham Plowman, an anthology based on The Cabinet of Dr. Caligari edited by Joseph S Pulver Sr. and much more.
Includes: Audio clip excerpts from sonnets “The Key,” “The Window” and “Continuity,” as well as “Elegy for HP Lovecraft,” composed by Harold S. Farnese.
ALSO: Arkham Digest’s Justin Steele reviews A Head Full of Ghosts by Paul Tremblay.
This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.
More Links:
https://www.yog-sothoth.com/topic/28899-fungi-from-yuggoth-deluxe-two-disc-set/
https://www.hplovecraft.com/life/friends.aspx
Next week’s guest: CM Muller, editor & publisher of the new Weird fiction journal Nightscript.
Gemma Files goes behind the lens of her new standalone horror novel Experimental Film, its roots in her background as a film critic who has seen more than 5000 movies, the difference between horror in cinema and horror literature, Stephen King, Peter Straub and Clive Barker, the hyper-reality of anything that happens behind the camera, her ongoing fascination with found footage narrative, why inside every movie is a ghost story, the aftertaste of Candyman and swimming deep into Lake Mungo, why she likes people who are monsters, accepting the monster inside herself and writing the monster, how the experience of raising an autistic son and discovering a shared language with him using music and movies has contributed to her own growth and work, why we are attracted to certain narratives and stories, personal narratives and the survival imperative of reframing one’s own narrative versus “collapsing to no one,” her tendency to set stories in war zones and the end of days as not an end but a transformation, moments of transfiguration and decision, crafting language in narrative, rap music, minute details of historical fashion, the unlikely genesis of her Weird western Hexslinger trilogy, opening oneself up to diversity and letting LBGT and culturally diverse characters speak for themselves, why she decided to write deliberatively about women, “Grave Goods,” her story in the upcoming Autumn Cthulhu from Lovecraft eZine about an all-women archaeological dig including a transgender character, how H.P. Lovecraft’s legacy today is to be subverted and how she approached writing for two all-female Lovecraft-themed anthologies, and her current reading recommendations including John Connolly’s short stories, The Book of Lost Things and his Charlie Parker noir novels, which she says are “totally horror” and “make it look effortless,” Adam Nevill, whose most recent book is No One Gets Out Alive and whom she says is ‘the real deal”—”so good and so vicious and so layered and beautifully, beautifully detailed” —and Shirley Jackson Award-winning author Helen Marshall—”My God she can write!”
News From the Weird
Arkham Digest’s Justin Steele joins The Outer Dark as resident reviewer to discuss Gemma Files’ latest novel, Experimental Film.
Guest Bio:
Former film critic and teacher Gemma Files won the 1999 International Horror Guild short fiction award for her story “The Emperor’s Old Bones,” which appears in her collection The Worm in Every Heart. Both it and her earlier collection, Kissing Carrion, feature stories adapted into episodes of The Hunger, an anthology TV show produced by Ridley and Tony Scott. Her first novel, A Book of Tongues: Volume One of the Hexslinger Series (ChiZine Publications), won a DarkScribe Magazine Black Quill award for “Best Small Press Chill” in both the Editor’s and Readers’ Choice categories. A Rope of Thorns (2011) and A Tree of Bones (2012) complete the trilogy. She is also the author of We Will All Go Down Together: Stories of the Five-Family Coven. Her latest novel, Experimental Film, was released in November 2015 and .
Buy Tramadol is an analgesic that belongs to the list of potent narcotic drugs.
This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.
More Links:
https://www.innsmouthfreepress.com/blog/books/she-walks-in-shadows/
https://www.indiegogo.com/projects/dreams-from-the-witch-house-women-of-lovecraft#/
Next week’s guest: Dwayne Olson of Fedogan & Bremer Press discusses the authoritative new two-CD audio release of H.P. Lovecraft‘s sonnet cycle Fungi From Yuggoth.
Craig Laurance Gidney recalls pivotal early experiences at Clarion West 1996 under the tutelage of a blockbuster roster of teachers from Jack Womack to Ellen Datlow, as well as studying under Samuel R. “Chip” Delany in college, remembers recently deceased literary titan Tanith Lee, the transgressive and neodecadant qualities that drew him so passionately to her writing, her courage portraying gay characters and the impact of her work on his own, his most recent anthology, Skin Deep Magic, from Rebel Satori Press, including specific stories such as writing about Richard Bruce Nugent, a gay figure in the Harlem Renaissance, in “Conjuring Shadows” and “Coalrose” which was inspired by Nina Simone, the influence of Aimé Césaire, surrealism and the Négritude movement in 
Francophone literature, exploring his fascination with lucid dreaming in his latest story The Nectar of Nightmares forthcoming from Dim Shores, writing in the “Beautiful Mess,” engaging with racist imagery, epithets, stereotypes and ideology in stories such as “Lyes,” why he feels it’s okay to like problematic fiction—including HP Lovecraft—as long as you don’t deny the problem, horror as intrinsic to the experience of African Americans, women and other liminal groups versus being about the fear of the other, Toni Morrison‘s Beloved as a horror novel, the current boom of diverse writers in fantastic literature, the often overlooked gay weird, writing from every perspective, why everybody should read Queers Destroy Horror!, 
his next novel currently titled Invocations—a contemporary fantasy about a family of outsider artists, and his current reading recommendations including Tom Cardamone, Chesya Burke, Amanda Downum’s Dreams of Shreds and Tatters, and Tanith Lee’s posthumous collection Dancing Through the Fire, which has a theme of coming to peace with death, and A Different City, published just before her passing which he calls “classic top-notch over-the-top gothic goodness” set in Marseilles—“Flaubert if he wrote dark fiction”!
This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.
More Links:
https://www.lethepressbooks.com/
https://www.tinysatchelpress.com/#!__whats-in-the-satchel
https://www.ferris.edu/jimcrow/
https://weirdfictionreview.com/2013/04/wandering-spirits-traveling-mary-shelleys-frankenstein/
Next week’s guest: Gemma Files, author of The Worm in Every Heart, We Will All Go Down Together, the Hexslinger series, and the forthcoming novel Experimental Film.
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