The Outer Dark
“Scott Nicolay analyzes horror like no one else out there. Give his show a listen, I guarantee you won’t regret it.”—Max Booth III, 8 Great Podcasts for Writers, LitReactor.com
“Scott Nicolay analyzes horror like no one else out there. Give his show a listen, I guarantee you won’t regret it.”—Max Booth III, 8 Great Podcasts for Writers, LitReactor.com
Authors/editors Nisi Shawl and Cynthia Ward join Scott for a very special show focusing on diversity in Weird and speculative fiction. They start by recounting the story behind the origins of their Writing the Other workshop/book, its connections to Clarion West, the next set of upcoming online classes (March 13), its impact on spec-lit writers over its 25-year history, and their hopes for an updated book to reflect new language and examples. The conversation proceeds to positive directions with diverse characters, how writers need not to be afraid to write what they don’t know but they do need to research, the concept of “parallax” and W.E.B. DuBois, writing the other as a collaborative process, why treating equally or fairly doesn’t mean not seeing color, gender or other differences, rewarding examples of people who learned and gained courage from the Writing the Other program to increase their own representation of people of color as characters, teaching the “reptile brain,” the good example of Joe R Lansdale, and midwifing works by Sarah Smith and South African writer Nick Wood (Azanian Bridges. NewCon Press, Nov 2016). Cynthia and Nisi also talk about some of their own written and edited works. Cynthia discusses her edited anthology Lost Trails: Forgotten Tales of the Weird West, which features stories about non-white characters on the frontier, in the context of growing interest in the Weird Western in books, film and graphic novels, a second volume on the way, and several novels in progress, including Night Rising, the first in The Return of the Dark trilogy, an apocalyptic magic story set in Tucson which she calls a “cozy catastrophe.” Nisi reveals some of the back story about Stories for Chip: A Tribute to Samuel R. Delaney, which she co-edited with Bill Campbell (Rosarium Publishing), which has received considerable praise, as well as contemplating her interaction with horror and exploring a different relation to death and the status quo in the African diaspora in her 2008 James Tiptree Jr. Award-winning collection Filter House, confronting steampunk’s embedded imperialism in her upcoming Belgian Congo set novel Everfair (Tor, Sept. 2016), encountering ghosts in her middle grade novel Speculation, and much more. The conversation concludes with their recommended writers including Bill Campbell, J. Comer (Planetary Stories), Ayize Jama-Everett ( whose works include The Liminal War and The Entropy of Bones), Australian feminist writer Sylvia Kelso (The Blackston Gold and The Amberlight series), Aqueduct Press’s L. Timmel Duchamp (The Red Rose Rages Bleeding, The Marq’ssan Cycle, and more), Nigerian writer Tade Thompson (Making Wolf and Rosewater, Sept. 2016), Matt Ruff (Lovecraft Country) and Amy Wolf (The Misses Bronte’s Establishment).
News From the Weird: Special Guest Richard Thomas gives The Outer Dark listeners an exclusive sneak peek at the exciting plans for his highly anticipated new neo-noir spec-lit fiction magazine Gamut, featuring a who’s who of writers, artists and staff, and its Kickstarter campaign.
This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.
Next week’s guest: Will Ludwigsen, author of In Search Of and Others (Lethe Press).
Please vote for The Outer Dark in the People’s Choice Project iRadio Podcast Awards. https://www.projectiradio.com/podcast-awards/
Order The Outer Dark T-shirts at SkurvyInk: https://skurvyink.com/products/outerdark-shirt
More Links:
Bert and I: https://www.youtube.com/watch?v=EPGf77t9hRA
Stagecoach Mary: https://www.blackcowboys.com/maryfields.htm
https://en.wikipedia.org/wiki/King_Leopold%27s_Ghost
Review of Lovecraft Country by Nisi Shawl: https://www.seattletimes.com/entertainment/books/matt-ruffs-lovecraft-country-horrors-in-1950s-america/
https://www.thedarkhousepress.com/
Host/Executive Producer: Scott Nicolay
Co-Host, News From the Weird/Producer: Justin Steele
Associate Producer/Show Notes/Publicist: Anya Martin
Logo Design: Nick “The Hat” Gucker
Music: Michael Griffin
Author/editor Simon Strantzas returns to discuss the reissue of his Shirley Jackson Award-nominated 2015 collection Burnt Black Suns in a leather-bound special edition by Dark Regions Press, generational shifts and rising momentum/progression in the Weird Renaissance, readers who evolve into editors and publishers such as Justin Steele and Sam Cowan (Dim Shores), theme/atmosphere and composing his earlier collections Beneath the Surface, Cold to the Touch and Nightingale Songs, scientific fieldwork as a story topic, the landmark editing of Joe Pulver and phenomenal weird/fabulist writing of Helen Marshall, the art of public reading, the True Detective bump, the dynamic between the Aickmanesque Strange and the Weird, the journal Thinking Horror which he co-edits with sj bagley, taxonomy as applied to insects and literature, reading back to understand the tapestry of the genre and how to bend/twist/add to it in a different way, writing as a puzzle, the revolutionary force of T.E.D. Klein, creating/curating the unofficial Website of Terry Lamsley, the British quiet and ghost story renaissance in late 90s/early 2000s horror, other brilliant authors who have not published much lately such as Don Tumasonis and Matt Cardin, the intersection between Weird and Horror, evolving trends and fusion in Horror, collaborating with Michael Kelly on editing Year’s Best Weird Fiction 3, the importance of and challenges to featuring lesser known and diverse writers in collections, Aickman and Ligotti as two writers who (like Lovecraft) opened new territories, Stephen King and Peter Straub, his reading recommendations including Nadia Bulkin and Lynda E. Rucker, an Italian edition of Burnt Black Suns in Edizioni Hypnos’ Modern Weird series, and the globalization of the Weird.
News from the Weird: Arkham Digest columnist/Strange Aeons fiction editor Justin Steele and special guest Sam Cowan, editor/publisher of Dim Shores Press, join Scott for the latest news including more about the exciting line-up for Year’s Best Weird Fiction 3, what’s next with Dim Shores, Lovecraft eZine Press, Egaeus Press, Lost Signals, Gamut Magazine and a listener contest to win a free Garrett Cook book! Plus Justin reviews Split Tongues by Kristi DeMeester, Dim Shores’ fifth and latest chapbook.
This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.
Next week’s guest: Authors/editors Nisi Shawl and Cynthia Ward of the Writing the Other workshop and book.
Please vote for The Outer Dark in the People’s Choice Project iRadio Podcast Awards. https://www.projectiradio.com/podcast-awards/
Also there wasn’t anything like this in the Levitra precautions found online, but still that’s my health, and I don’t want to end up with heart attack or anything similar.
https://necronomicon-providence.com/enter/
Robert Dunnell, Systematics in Prehistory: https://www.amazon.com/Systematics-Prehistory-Robert-C-Dunnell/dp/1930665288
Show credits:
Host/Executive Producer: Scott Nicolay
Co-Host, News From the Weird/Producer: Justin Steele
Associate Producer/Show notes/Publicist: Anya Martin
Logo Design: Nick “The Hat” Gucker
Music: Michael Griffin
In possibly the most mind-blowing episode to date, filmmaker E. Elias Merhige (Shadow of the Vampire) traces his path from the genesis of the acclaimed experimental film Begotten to its highly anticipated rebirth in definitive and alternate versions on 35mm and Blu-ray in the near future. He explores and dissects his cinematic vision in the context of a shared interest with the Weird to push boundaries to create beautiful, powerful and terrifying works, recounts his first epiphanal encounters with Nietzsche and Artaud and the birth of his obsession with “art that actually lives,” relates his own creative process to a form of possession culminating in a volcanic eruption, transports listeners back to the life-changing screening of Begotten in Susan Sontag’s New York apartment when he was just age 25, discusses the fertile artistic nexus in the early-to-mid 20th century with surrealism, Dadaism and expressionism, muses on the artist/writer/filmmaker as our culture’s shamans, gets passionate about cinema as alchemy and creating film emulsions that act as a lens for exploring meaning, effuses about the CERN Collider (an example of how now there is “more going on in science and biotech than in most art galleries”) and photographs as “life forms,” discusses why he feels more freedom working with lower film budgets, talks about the joy he gets from conversations with his creative contemporaries and his excitement in connecting with the Weird community, draws back the curtains on a beautiful back story involving John Malkovich, cocktail napkins and the powerful train scene in Shadow of the Vampire, provides an eclectic playlist of the music that drives his creativity (Wagner, Iggy Pop, John Cage, Nurse With Wound, Diamanda Galas, Stuart Dempster, and many more) and reveals an intriguing roll of artists, authors, poets and filmmakers who have served as his biggest influences and provocateurs from Homer to Baudelaire, Bely to Ligotti.
The conversation concludes with what’s next for Merhige including making the final feature-length installment of the trilogy that started with Begotten, writing a new film script which relates the Hiroshima bombing through the eyes of schoolchildren, editing the second draft of his first 900-page novel, and culminating with the restoration of Begotten. Included are exclusive announcements about the upcoming Kickstarter campaign for Begotten’s restoration and dynamic details about the endeavor which go beyond your wildest imagination. As Merhige says, ”some exciting shit, my friend.”
News from the Weird:. Arkham Digest columnist/Strange Aeons fiction editor Justin Steele joins Scott for the latest news and a retro review of classic horror novel, Throat Sprockets (1994), by Tim Lucas, editor/publisher of the venerable Video Watchdog. The book was inspired by cinema, has been described as “If JG Ballard wrote Dracula,” and was recommended by author Gemma Files.
This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.
Next week’s guest: Simon Strantzas, author of Burnt Black Sons and editor of The Year’s Best Weird 3.
More Links:
https://en.wikipedia.org/wiki/E._Elias_Merhige
Begotten on IMDB: https://www.imdb.com/title/tt0101420/
https://en.wikipedia.org/wiki/Begotten
Din of Celestial Birds: https://www.youtube.com/watch?v=XCnp63TbxXw
Suspect Zero trailer: https://www.youtube.com/watch?v=jJLYRnHk8AE
Brian Jones Presents The Pipes of Pan at Joujouka: https://www.youtube.com/watch?v=LwEoDGeNyrE
https://en.wikipedia.org/wiki/The_Death_of_Virgil
https://en.wikipedia.org/wiki/Adalbert_Stifter
https://en.wikipedia.org/wiki/Der_Nachsommer
https://weirdfictionreview.com/2012/05/the-dissection/
News From the Weird:
https://vdarcangelo.wordpress.com/
https://perpetualpublishing.com/
Garrett Cook discusses his latest novel A God of Hungry Walls, an extreme, brutally transgressive and claustrophobic haunted house tale that not only pushes the limits of Bizarro but provides the latest twist on a lineage of “malevolent genius loci” that starts with Shirley Jackson’s The Haunting of Hill House. Twisted topics include the influence of “growing up in a grim and antiquated place,” i.e. New England, his commitment to make each story “really different,” literary and cinematic influences from Robert Marasco’s Burnt Offerings to Clive Barker’s Coldheart Canyon, uncomfortable intimacy among roommates, using narrative to invoke an unpleasant hypnotic state, his poetry roots, Dante (yes, that Dante), existential psychosis that doesn’t trace back to anything, avoiding haunted house story tropes such as the psychic, the microfiche research scene, the occult detective and the Scooby Doo ending, a Nouveau Roman approach that makes the novel seem like “Jack Ketchum’s Last Spring at Marienbad,” the tyrannical nature of surrealism versus Bizarro’s narrative omnipotence, Jeff Burk’s couch, and bench-switching and writing in his own swan spot. Garrett also talks about some of his other works, including his first novel Murderland, his first foray into Bizarro Archelon Ranch, his intentionally historically inaccurate science fiction novel Time Pimp, and his short story collection You Might Just Make It Out of This Alive (Eraserhead Press).
The conversation then veers to the relationship between weird and Bizarro and Bizarro Central’s New Bizarro Author Series, which Garrett edited, including Karl Fischer’s Towers, Betty Rocksteady’s Arachnophile, Madeleine Swan’s Rainbows Suck, Chris Meekings’ Elephant Vice, Anthony Trevino’s King Space Void, Christoph Paul’s Slasher Camp for Nerd Dorks, Pedro Proença’s Benjamin and Lee Widener’s Rock n Roll Head Case, which Garrett calls the “absolute buy-ticket-and-ride” of the series or “Bill Plimpton’s Laser Blast.” He also “screams” about Autumn Christian, Danger Slater, and John Skipp, who is publishing them both via his Fungasm Press, a groundbreaking new imprint from Eraserhead. Finally: Garrett’s new performance series in Portland, Ore., Gilbert Road Grotesque, co-hosted by Alicia Graves, and hats.
News from the Weird:. Arkham Digest columnist/Strange Aeons fiction editor Justin Steele joins Scott once again with the latest about Livia Llewellyn, Richard Gavin, Xnoybis 2, Nightscript 2, Lost Signals, and more. Then special guest Michael Griffin unveils The Lure of Devouring Light, his much-anticipated first collection, now available for preorder from Word Horde Press and scheduled for release in April 2016. I have no erection, and am afraid that Levitra 20mg may be a problem. And Justin reviews Christopher Slatsky’s Alectryomancer and Other Weird Tales (Dunhams Manor Press).
This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.
Next week’s guest: Mark Shapiro, marketing/brand management at Laika Studios (ParaNorman, Coraline) talks about this innovative stop-motion animation house’s upcoming release Kubo and the Two Strings.
More Links:
https://www.amazon.com/Autumn-Christian/e/B006QJ5USQ
https://www.theionpublishing.com/books/the-benighted-path-primeval-gnosis-and-the-monstrous-soul/
Rios de la Luz explores the “inner workings that were happening in her brain” while writing her first collection The Pulse Between Dimensions and the Desert, and Scott’s suggestion that her stories resemble the Martian gemstones depicted within–each unique, energetic, fresh, multifaceted, and yet interconnected. Notions of magic realism, time travel, science fiction, Junot Diaz, Ray Bradbury, Lucius Shepard, Star Trek, Doctor Who, and her love of outer space and comic books, especially Los Bros Hernandez’s Love and Rockets, emerge, as well as working with her publisher Ladybox Books, a rising imprint of Broken River Books and being part of the dynamic small press community in Portland, Oregon. The discussion also explores diversity as a rising force in both authors and audience for spec-lit, including Rios’ identity as a “Latina-Chicana-Bruja” writer but “mostly just a strange brown girl,” as well as using Spanish to reset rhythm in her narratives, growing up in El Paso, discovering her favorite writer Sandra Cisneros and her passion for creating young characters like herself, including her excitement in seeing female, African and Guatemalan leads in Star Wars and a black Hispanic super-hero in Spider-Man Miles Morales. Another ever-present element in her writing is the guardian abuela, reflecting the importance of her grandmother and great grandmother to whom she says she “owes so much.” Also queer characters, the awkwardness of puberty (“Church Bush”), disappeared women, dead children (“La Reina”), her complicated feelings about borders and a short reading of her hauntingly beautiful story “Marigolds.Hey bros out there. For your own sake, don’t ever take two big Levitra Generic.” Finally, Rios talks about what’s next for her including flash fiction, zines, two horror stories, a bizarro tale and a novel, as well as recommending poet Yesika Salgado, aka Yesika Starr, fellow Ladybox Books author Meliza Bañales, aka Missy Fuego, and Vanessa Mártir.
News from the Weird: Ladybox Books Head Editor/Curator Constance Ann Fitzgerald joins Scott to talk more about this innovative women-run press/collective, how it got started, its exciting slate of “fiercely talented” authors, the rebirth of the zine and the current dynamic and label-defying small press scene.
Next week’s guest: Garrett Cook, author of You Might Just Make It Out of This Alive (Eraserhead Press)
Yesika’s Twitter: https://twitter.com/yesikastarr
One of Meliza’s short stories: https://ladyboxbooks.com/2015/02/08/story-of-the-week-face-lift/#more-131
https://www.facebook.com/States-of-Terror-289014071299287/?fref=ts
News From the Weird:
https://ladyboxbooks.com/2014/09/27/ladybox-on-sale-october-15th/
The Punk Singer: https://www.youtube.com/watch?v=fwrXC5OXqgc
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