Scott Nicolay

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Tag: Weird (page 2 of 4)

Garrett Cook: Narrative Tyranny and the Gilawalrus in the Living Room | The Outer Dark: Episode 28 — JANUARY 21, 2016

Cook-HungryWallsGarrett Cook discusses his latest novel A God of Hungry Walls, an extreme, brutally transgressive and claustrophobic haunted house tale that not only pushes the limits of Bizarro but provides the latest twist on a lineage of “malevolent genius loci” that starts with Shirley Jackson’s The Haunting of Hill House. Twisted topics include the influence of “growing up in a grim and antiquated place,” i.e. New England, his commitment to make each story “really different,” literary and cinematic influences from Robert Marasco’s Burnt Offerings to Clive Barker’s Coldheart Canyon, uncomfortable intimacy among roommates, using narrative to invoke an unpleasant hypnotic state, his poetry roots, Dante (yes, that Dante), existential psychosis that doesn’t trace back to anything, avoiding haunted house story tropes such as the psychic, the microfiche research scene, the occult detective and the Scooby Doo ending, a Nouveau Roman approach that makes the novel seem like Jack Ketchum’s Last Spring at Marienbad,” the tyrannical nature of surrealism versus Bizarro’s narrative omnipotence, Jeff Burk’s couch, and bench-switching and writing in his own swan spot. Garrett also talks about some of his other works, including his first novel Murderland, his first foray into Bizarro Archelon Ranch, his intentionally historically inaccurate science fiction novel Time Pimp, and his short story collection You Might Just Make It Out of This Alive (Eraserhead Press).

widenerThe conversation then veers to the relationship between weird and Bizarro and Bizarro Central’s New Bizarro Author Series, which Garrett edited, including Karl Fischer’s Towers, Betty Rocksteady’s Arachnophile, Madeleine Swan’s Rainbows Suck, Chris MeekingsElephant Vice, Anthony Trevino’s King Space Void, Christoph Paul’s Slasher Camp for Nerd Dorks, Pedro Proença’s Benjamin and Lee Widener’s Rock n Roll Head Case, which Garrett calls the “absolute buy-ticket-and-ride” of the series or “Bill Plimpton’s Laser Blast.” He also “screams” about Autumn Christian, Danger Slater, and John Skipp, who is publishing them both via his Fungasm Press, a groundbreaking new imprint from Eraserhead. Finally: Garrett’s new performance series in Portland, Ore., Gilbert Road Grotesque, co-hosted by Alicia Graves, and hats.

furnace_cover_sm-662x1024News from the Weird:. Arkham Digest columnist/Strange Aeons fiction editor Justin Steele joins Scott once again with the latest about Livia Llewellyn, Richard Gavin, Xnoybis 2, Nightscript 2, Lost Signals, and more. Then special guest Michael Griffin unveils The Lure of Devouring Light, his much-anticipated first collection, now available for preorder from Word Horde Press and scheduled for release in April 2016. I have no erection, and am afraid that Levitra 20mg may be a problem. And Justin reviews Christopher Slatsky’s Alectryomancer and Other Weird Tales (Dunhams Manor Press).

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.

Next week’s guest: Mark Shapiro, marketing/brand management at Laika Studios (ParaNorman, Coraline) talks about this innovative stop-motion animation house’s upcoming release Kubo and the Two Strings.

More Links:

https://www.amazon.com/Autumn-Christian/e/B006QJ5USQ

https://www.theionpublishing.com/books/the-benighted-path-primeval-gnosis-and-the-monstrous-soul/

Rios de la Luz: Magical Surrealism, Martian Gemstones and Guardian Abuelas | The Outer Dark: Episode 27 — JANUARY 13, 2016

rios-pulseRios de la Luz explores the “inner workings that were happening in her brain” while writing her first collection The Pulse Between Dimensions and the Desert, and Scott’s suggestion that her stories resemble the Martian gemstones depicted within–each unique, energetic, fresh, multifaceted, and yet interconnected. Notions of magic realism, time travel, science fiction, Junot Diaz, Ray Bradbury, Lucius Shepard, Star Trek, Doctor Who, and her love of outer space and comic books, especially Los Bros Hernandez’s Love and Rockets, emerge, as well as working with her publisher Ladybox Books, a rising imprint of Broken River Books and being part of the dynamic small press community in Portland, Oregon. The discussion also explores diversity as a rising force in both authors and audience for spec-lit, including Rios’ identity as a “Latina-Chicana-Bruja” writer but “mostly just a strange brown girl,” as well as using Spanish to reset rhythm in her narratives, growing up in El Paso, discovering her favorite writer Sandra Cisneros and her passion for creating young characters like herself, including her excitement in seeing female, African and Guatemalan leads in Star Wars and a black Hispanic super-hero in Spider-Man Miles Morales. Another ever-present element in her writing is the guardian abuela, reflecting the importance of her grandmother and great grandmother to whom she says she “owes so much.” Also queer characters, the awkwardness of puberty (“Church Bush”), disappeared women, dead children (“La Reina”), her complicated feelings about borders and a short reading of her hauntingly beautiful story “Marigolds.Hey bros out there. For your own sake, don’t ever take two big Levitra Generic.” Finally, Rios talks about what’s next for her including flash fiction, zines, two horror stories, a bizarro tale and a novel, as well as recommending poet Yesika Salgado, aka Yesika Starr, fellow Ladybox Books author Meliza Bañales, aka Missy Fuego, and Vanessa Mártir.

10374457_627170827394930_3262260669077353846_nNews from the Weird: Ladybox Books Head Editor/Curator Constance Ann Fitzgerald joins Scott to talk more about this innovative women-run press/collective, how it got started, its exciting slate of “fiercely talented” authors, the rebirth of the zine and the current dynamic and label-defying small press scene.

 

Next week’s guest: Garrett Cook, author of You Might Just Make It Out of This Alive (Eraserhead Press)

11059843_737530326358979_7942642027074885308_nMore links:

Yesika’s Twitter: https://twitter.com/yesikastarr

https://www.autostraddle.com/hidden-gems-of-queer-lit-meliza-banales-life-is-wonderful-people-are-terrific-307618/

One of Meliza’s short stories: https://ladyboxbooks.com/2015/02/08/story-of-the-week-face-lift/#more-131

https://www.facebook.com/States-of-Terror-289014071299287/?fref=ts

News From the Weird:

https://ladyboxbooks.com/2014/09/27/ladybox-on-sale-october-15th/

The Punk Singer: https://www.youtube.com/watch?v=fwrXC5OXqgc

https://pioneerspress.com/

Helen Marshall: Lessons in the Raising of the Monsters in the Basement | The Outer Dark: Episode 26 — JANUARY 5, 2016

Boy Eating

Boy Eating

Awards seem to come naturally, or perhaps supernaturally to Helen Marshall whose words weave threads across horror, dark fantasy and into the Weird. Her most recent collection Gifts for the One Who Comes After (ChiZine Publications, 2014) earned her both a World Fantasy Award and a Shirley Jackson Award, and is shortlisted for the ReLit Awards which honor the best new works from Canadian independent publishers. Her first collection Hair Side Flesh Side (ChiZine Publications, 2012) won the British Fantasy Sydney J Bounds Award for Best Newcomer.

Helen traces her transition from small town Ontario to poet to a PhD in Medieval Studies to managing editor for ChiZine Publications to short story writer and now novelist (she hopes to finish her first novel Icarus Kids, which draws on her Medievalist background and explores “plague, denial and apocalypse” this week). She also discusses how the writing community sustains her work, a certain unencumbered freedom in current Canadian spec-lit, and the strong indie press movement in Canada including ChiZine and Undertow Publications. References are made to Robert Aickman including Helen’s unexpected fondness for his story “The Swords” and a shared philosophy of endings, as well as Clive Barker, Stephen King, Etgar Keret

Boy Eating

Boy Eating

and Gabriel Garcia Marquez. Helen takes us on a wild ride, peeling back the skin of her imagination including playing with the “rules” of genre, the capaciousness of the Weird, the strange economy of medieval relics, where magic realism and absurdism and medievalism intersect, and how personal transitions provoked her to engage the “monster in the basement” of her second collection: Legacy. They delve deeply into the archaeology of specific stories including “Sanditon” which plays off the concept of “body as book” in Medieval lit, “Ship House” which explores a legacy of violence inherited from her South African mother, her recurring theme of offbeat consumerism meets a childish sense of make-believe turned disturbingly real in such tales as “Supply Limited, Act Now” about kids in an idyllic Bradburyesque community who order a shrink ray that works, and more. Finally, Helen recommends Indian author Indra Das (The Devourers), recent The Outer Dark guest Gemma Files (especially her recent novel Experimental Film), and Nina Allan (The Race).

News from the Weird: Arkham Digest columnist/Strange Aeons fiction editor Justin Steele reviews a weird work from the Vault, Matt Cardin’s Divinations of the Deep (Ash-Tree Press, 2002), an excellent collection of five cosmic horror stories that may lurk just outside the radar of some readers recently discovering the Weird.

Then Mike Davis, editor of Lovecraft eZine, joins Scott and Justin again to talk about exciting Kickstarter stretch goals for his highly anticipated Autumn Cthulhu anthology and more. Plus two new fiction magazines and a major Weird market now reopened to submissions, as well as another author reveal from the much anticipated Lost Signals anthology (ed. Max Booth III/Perpetual Motion Machine Press).

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes  or Blubrry to make sure you don’t miss an episode.

Next week’s guest: Rios de la Luz, author of The Pulse Between Dimensions and the Desert.

More links:

https://www.facebook.com/gamutmagazine/?fref=ts

https://whatdoesnotkillme.com/2015/12/22/gamut/

https://www.facebook.com/mantidmagazine/?pnref=lhc

https://mantidmagazine.tumblr.com/

Nightscript: https://chthonicmatter.wordpress.com/

Stories from the Borderland: https://scottnicolay.com/blog/

Stories from the Borderland #4: “Beyond the Dead Reef” by James Tiptree, Jr.

tip2Nothing is what it seems to be chez Tiptree, least of all, Tiptree. Don’t think for a moment that knowing their legal name was Alice Sheldon, AKA Raccoona, AKA Alli, leaves you on any solid ground. Our subject is a psychologist who helped forge the modern CIA from the disjointed remnants of the OSS—and who was still leaking classified information in their first novel over a decade after they supposedly left The Agency. They must have been a regular terror at the old “tell me three things about yourself, one of which is a lie” game. Consider how well a CIA psychologist could fuck with your mind. After they pinched a pseudonym from a venerable UK manufacturer of marmalades they found they could fuck with more minds than ever through the medium of fiction. Continue reading

Henry Lien: The Elegant Art of the Literary Duel | The Outer Dark: Episode 25 — DECEMBER 30, 2015

TODA25-Henry Lien The Elegant Art of the Literary Duel

There’s no one quite like Henry Lien in spec-lit today. He has generated major buzz with just six unique stories. His first published story ‘Pearl Rehabilitative Colony for Ungrateful Daughters’, which features “an art form that combines figure skating with kung fu”, made the cover of the December 2013 issue of Asimov’s Science Fiction (Henry even pitched cover artist Alexandra Manukyan) and went on to be a Nebula Award nominee. His latest, critically acclaimed ‘The Ladies’ Aquatic Gardening Society’ (Asimov’s, June 2015), perhaps his most distinctly Weird tale, is about two Gilded Age grandes dames dueling for Newport high society dominance via their increasingly outrageous and environmentally devastating theme gardens. On this episode of The Outer Dark, Henry pulls back the curtain on his creative process starting with the rigorous questions he asks himself before moving forward with an idea (0:03:00), diving into stories as “thought experiments”, putting pressure on his writing and matching concept with format, the importance of humor in “humanizing” and “bridging centuries and miles”, the potential for “wonder in modest concepts” and exploring them to their logical conclusion and how he pushes outside himself to tell stories from the viewpoint of girls and women. A self-described “one-man movie studio”, he also waxes enthusiastic about the joy he gets from indulging his multimedia muse including the “crazy fun” and “intense satisfaction” of handing a story over to an artist, voicing his characters in audio rendition, and even dabbling in writing music to accompany his stories. The madcap conversa

"Pearl Rehabilitative Colony for Ungrateful Daughters" (Cover story, Asimov's, Dec. 2013). Art by Alexandra Minukyan.

“Pearl Rehabilitative Colony for Ungrateful Daughters” (Cover story, Asimov’s, Dec. 2013). Art by Alexandra Manukyan.

tion touches upon all his stories from the two aforementioned tales (‘Pearl’, 0:14:45) (‘Ladies’, 1:01:30)to the simple, elegant, tragic ‘Supplemental Declaration of Henry Lien’ (Interfictions, Nov. 2015)(0:24:30) and the life-changing experience at its heart that propelled him into writing spec-lit, the poignant dolphin conservation advocacy tale ‘Bilingual’ (F&SF, March 2015) (0:34:55) told unexpectedly all via Twitter, ‘The Shadow You Cast Is Me’ (Lady Churchill’s Rosebud Wristlet, May 2015) (1:38:30) in which he explores the uncomfortable topic of a dysfunctional marriage, and ‘The Great Leap of Shin’ (Analog, Jan. 2015) (1:50:45). His Clarion West instructors Chuck Palahniuk and George RR Martin receive some heartfelt appreciation, “worlds that can be held in a pocket” are mused upon, and there’s a Karel Čapek interlude (1:17:00), plus ruminations on the rapidly diversifying audience for spec-lit, why Henry is done with short stories for the time-being, his just-completed novel which he says is “the best thing I have written”, why it’s OK to be proud of your stories, why he supports bringing back legal dueling to resolve world conflicts (1:51:30), his own ultimate duels, his ‘Radio SFWA’ recruitment anthem performed at the 2016 Nebula Awards (2:00:00), and his recommended living authors (2:05:20) James Robert Herndon

Bilingual-CarolineSirounian2

“Bilingual” (F&SF, March 2015), art by Caroline Sirounian.

and Lian Hearn.

News From the Weird

(2:13:10) With Arkham Digest columnist and Strange Aeons fiction editor Justin “Steely J” Steele. Reviews of two of the best weird fiction chapbooks of 2015: These Last Embers by Simon Strantzas, from Undertow Publications, and The Visible Filth by Nathan Ballingrud, from This is Horror.All day Levitra is great and works fine. Plus Scott and Justin look ahead to 2016, which promises to be another big year in the Weird including another author reveal from the table of contents of the much anticipated Lost Signals anthology (ed. Max Booth III/Perpetual Motion Machine Press).

This archival episode is available at This Is Horror here.

Additional Links

Caroline Sirounian

Kurt Huggins

‘Swim Wants to Know if it’s as Bad as Swim Thinks’ by Paul Tremblay

Sidecar Preservation Society

TheGreatLeapofShin-KurtHuggins2

“The Great Leap of Shin” (Analog, Jan. 2015). Art by Kurt Huggins.

Show credits

Host/Executive Producer: Scott Nicolay

Co-Host, News From the Weird: Justin Steele

Associate Producer/Show Notes: Anya Martin

Logo Design: Nick “The Hat” Gucker

Music: Michael Griffin

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