Scott Nicolay

Ana Kai Tangata

Tag: weird fiction (page 8 of 10)

Craig Laurance Gidney: Writing the Beautiful Mess | The Outer Dark: Episode 14 — OCTOBER 6, 2015

12120007_625217597615975_7812391686514725385_oCraig Laurance Gidney recalls pivotal early experiences at Clarion West 1996 under the tutelage of a blockbuster roster of teachers from Jack Womack to Ellen Datlow, as well as studying under Samuel R. “Chip” Delany in college, remembers recently deceased literary titan Tanith Lee, the transgressive and neodecadant qualities that drew him so passionately to her writing, her courage portraying gay characters and the impact of her work on his own, his most recent anthology, Skin Deep Magic, from Rebel Satori Press, including specific stories such as writing about Richard Bruce Nugent, a gay figure in the Harlem Renaissance, in “Conjuring Shadows” and “Coalrose” which was inspired by Nina Simone, the influence of Aimé Césaire, surrealism and the Négritude movement in skin-deep-magicFrancophone literature, exploring his fascination with lucid dreaming in his latest story The Nectar of Nightmares forthcoming from Dim Shores, writing in the “Beautiful Mess,” engaging with racist imagery, epithets, stereotypes and ideology in stories such as “Lyes,” why he feels it’s okay to like problematic fiction—including HP Lovecraft—as long as you don’t deny the problem, horror as intrinsic to the experience of African Americans, women and other liminal groups versus being about the fear of the other, Toni Morrison‘s Beloved as a horror novel, the current boom of diverse writers in fantastic literature, the often overlooked gay weird, writing from every perspective, why everybody should read Queers Destroy Horror!, ssmhis next novel currently titled Invocations—a contemporary fantasy about a family of outsider artists, and his current reading recommendations including Tom Cardamone, Chesya Burke, Amanda Downum’s Dreams of Shreds and Tatters, and Tanith Lee’s posthumous collection Dancing Through the Fire, which has a theme of coming to peace with death, and A Different City, published just before her passing which he calls “classic top-notch over-the-top gothic goodness” set in Marseilles—“Flaubert if he wrote dark fiction”!

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes  or Blubrry to make sure you don’t miss an episode.

bereft_1_full_nameMore Links:

https://www.lethepressbooks.com/

https://www.tinysatchelpress.com/#!__whats-in-the-satchel

https://www.ferris.edu/jimcrow/

https://weirdfictionreview.com/2013/04/wandering-spirits-traveling-mary-shelleys-frankenstein/

Next week’s guest: Gemma Files, author of The Worm in Every Heart, We Will All Go Down Together, the Hexslinger series, and the forthcoming novel Experimental Film.

Nick Gucker: Throwing a Stick at the Moon| The Outer Dark: Episode 13 — SEPTEMBER 29, 2015

KLAW Color cover 72dpiNick Gucker, AKA Nick the Hat, one of weird fiction’s most beloved artists and the designer of The Outer Dark’s logo, shares his secret superhero origin story growing up weird on the water and in the woods of rural Alaska, how he journeyed south to Seattle to study art and play in punk rock bands, his early love of Ambrose Bierce, an affection for the surreal naturalist horror of Algernon Blackwood, physicality and monsters in William Hope Hodgson’s work, strange fish and the deep abyss of the ocean in his art, peeling back and creasing the skin in anatomy class and beyond, an odd subliminal influence of Dr. Seuss fueled PaintedMonsters_cover_001_FC_smallperhaps by the more disturbing aspects of Yertle the Turtle and the sheer terror of the pants with nobody inside them, designing the logo for The Outer Dark, finding a home at the H.P. Lovecraft Film Festival and NecronomiCon Providence, adventures in Bali and Asian influences on his art, his favorite punk rock outsider artists from Blinko to Walsby, complexity in his art as a way to entice observers to explore the image longer and more deeply, collaborating with authors/publishers/magazines/convention organizers throughout the Weird Renaissance, recent work including the cover for Orrin Grey’s Painted Monsters and Other Strange Beasts (Word Horde), his commitment not to indulge in the exploitative side of pulp art, what he’s working on now and next, and his recommended artists working in the Weird today including Mike Dubisch, Mike Bukowski, Jeanne D’Angelo, Dave Felton, Chris Mars, Skinner, Paul Komoda, Josh Yelle, Allen Williams, Robert H. Knox and Liv Rainey-Smith.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes  or Blubrry to make sure you don’t miss an episode.

MythofFallingJacobMore Links:

https://esoterx.com/2013/01/09/the-fearsome-alaskan-tlingit-kushtaka-if-its-not-one-thing-its-an-otter/

“What Was I Scared Of” By Dr. Seuss. https://www.youtube.com/watch?v=xxuhKur2IYo

https://www.blancomuseum.com/

https://www.outsiderart.co.uk/blinko.htm

https://www.pusfan.com/art.htm

https://dennisdread.blogspot.com/2007/06/legacy-of-mad-marc-rude.html

https://www.brianwalsby.net/BrianWalsby.net/Home.html

https://witchhouserocks.com/

Next week’s guest: Craig Laurance Gidney, author of Skin Deep Magic (Rebel Satori Press) and The Nectar of Nightmares (forthcoming from Dim Shores)

Niels Hobbs: Where the Weird is Going, Where It Has Been | The Outer Dark: Episode 12 — SEPTEMBER 22, 2015

LASC_NCon-small_adThis week The Outer Dark welcomes Niels Hobbs, executive director of the Lovecraft Arts and Sciences Council and prime mover behind the biennial NecronomiCon Providence. Niels discusses why he and others resurrected this convention after a dozen years of dormancy and its emergence as the essential summit for writers, editors, artists and academics in the world of H.P. Lovecraft and weird fiction, the transformative nature of NecronomiCon 2013 as a catalyst in the Weird Renaissance, the exponential growth of contemporary high-quality Weird fiction, the small press explosion and its mutual support network, the importance of pie, the generally good-hearted nature of the weird fiction community, his early love of fiction and the arts, Lovecraft as a gateway drug on the way to the complex, vibrant and international continuum of the Weird, punk rock, marine biology, the unique weirdness of Providence, confronting and moving beyond racism/sexism/homophobia in Lovecraft’s work and some corners of his fandom, the fantastic array of artists embracing the Weird today and the joy of assembling the Ars Necronomica exhibitions of 2013 and 2015, more triumphs and challenges of the 2015 NecronomiCon, and looking ahead to NecronomiCon 2017 (Aug. 17-20, 2017) without abandoning Lovecraft but expanding to a broader, more diverse, global vision of the Weird. Niels also reveals some of the names on his dream guest list for 2017 including Ann and Jeff VanderMeer, Ellen Datlow, Chesya Burke, Craig Laurance Gidney, Jayaprakash Satyamurthy, Usman T. Malik, Junji Ito, and others.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes  or Blubrry to make sure you don’t miss an episode.

LASC logo - pyramidal

More Links:

https://necronomicon-providence.com/enter/

https://www.providencejournal.com/article/20150816/ENTERTAINMENTLIFE/150819592

https://cthulhuwho1.files.wordpress.com/2011/03/mythoscon-2011-program-booklet-jan-6-9-2011.pdf

https://www.amazon.com/The-Weird-Compendium-Strange-Stories/dp/0765333627

https://www.outsiderart.co.uk/blinko.htm

https://www.worldcon.fi/

Next week’s guest: Nick Gucker, AKA “Nick the Hat,” cover artist and illustrator

Daniel Mills: When Things Were Rotten, a Weird Historicity | The Outer Dark: Episode 11 — SEPTEMBER 16, 2015

tlcat_newDaniel Mills, author of the 2014 critically acclaimed collection The Lord Came at Twilight, discusses how his writing engages with historical voices such as Hawthorne, Chambers and others, rediscovering obscure authors of the 19th and 20th centuries who delved into weird, ghosts and the supernatural, the tendency among contemporary weird writers to be archivists/archaeologists digging into old sources for forgotten gems, his wistful yearning for past eras such as Colonial America versus confronting the spiritual corruption of American history in his stories, presenting a mannered lyrical approach to storytelling in a fresh and contemporary application, the artistry of depicting grotesque material with beautiful prose, modern cinematic writing versus language itself as “a world where you can disappear,” narrative restraint and the horror that happens offstage, courtships that reflect the intersection of deeply repressed desires and warped worldviews, clerical characters and the contradictions of America’s Christian mythos, creative misremembering, balancing presentism and historicism, discovering a shared New England sensibility with Matthew Bartlett, NecronomiCon Providence and the excitement and critical mass of today’s Weird Renaissance, the resounding influence of John Bellairs, upcoming projects including short stories, a novella and a second novel inspired by the spiritualism and theosophy movements of the late 19th century, and his current recommended reading including Reggie Oliver and Orrin Grey

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes  or Blubrry to make sure you don’t miss an episode.

More Links:

www.daniel-mills.net/

“Brickett Bottom” by Amyas Northcote: https://gutenberg.net.au/ebooks06/0606161h.html#s2

Next Week’s Guest: Niels Hobbs, Director of NecronomiCon Providence.

s.j. bagley and Simon Strantzas: Thinking Horror in the 21st Century, Before and Beyond| The Outer Dark: Episode 10 — SEPTEMBER 8, 2015

thkhrrrs.j. bagley and Simon Strantzas converse about collaborating on their new Thinking Horror journal premiering in October, why it’s important now to have a journal that focuses on the philosophy and criticism of horror, the theme of the first issue “Horror in the 21st Century,” addressing the problematic nature of how the term “horror” is viewed by mainstream movie/reading audiences versus writers, the curse and boon of the horror boom of the 1980s and 1990s, the transgressive possibilities of horror, an ever-wider, ever-deepening field of diverse writers and content, the importance of recovering older weird writers to seeding the Weird Renaissance and the importance of the Weird in horror now, Weird horror as a mode to reconcile the self with an ever-expanding world and the relationship between contemporary Weird fiction and modernism, Asian and African influences on horror and Weird fiction, understanding the different facets through which specific writers see horror, upcoming issue themes, the importance of affordable reprint editions, the future of horror, their reading recommendations including Steven Millhauser, Kristi DeMeester, Michael Wehunt,Daniel Mills, Helen Marshall, and Jeffrey Thomas, and when and where readers can get copies of Thinking Horror (paperback and eBook).

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes  or Blubrry to make sure you don’t miss an episode.

More Links:

www.thinkinghorror.net

www.valancourtbooks.com

NEXT WEEK’S GUEST: Daniel Mills, author of The Lord Came at Twilight

Older posts Newer posts

© 2024 Scott Nicolay

Theme by Anders NorenUp ↑