Silvia Moreno-Garcia discusses her transition from short fiction to her novel Signal to Noise, the appeal of the short standalone novel, how growing up in Mexico City has influenced her writing and the importance of place, setting and neighborhood in developing her narrative, her next novel tentatively titled Young Blood, an urban fantasy about Mexican drug-dealing narco vampires (an expansion of her short story “Puddle of Blood”) which she characterizes as “the least romantic vampire romance” and a love letter to the Novela Negra, a form of crime noir in Spanish speaking countries, how spec-lit is different in Spanish-speaking countries and its social power as a literary mode to take on political issues (similar to Russian SF&F, Orwell, or Huxley), optimistic vs pessimistic/realist spec-lit and the disturbing futures of Mexico and Canada, why you should never touch the record that she’s playing, growing up in radio stations, the importance of the name Vincent, her master’s thesis on eugenics in H.P. Lovecraft’s fiction, Erskine Caldwell and The Dunwich Horror, C.L. Moore and her mastery of the weird tale, female protagonists, her other future projects including She Walks in Shadows, the first all-women Lovecraft anthology, and work as editor/publisher of Innsmouth Free Press, the importance of the spec-lit small press and why people should read more women writers including Livia Llewellyn. Angela Slatter, Molly Tanzer and Carmen Maria Machado, and what she’ll be up to as a guest of honor at NecronomiCon August 20-23, 2015 in Providence, RI.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes  or Blubrry to make sure you don’t miss an episode.

Additional Links:

https://www.silviamoreno-garcia.com/blog/

https://www.innsmouthfreepress.com/

NEXT WEEK’S GUEST:  Damien Angelica Walters, author of Sing Me Your Scars