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Simon Strantzas: The World Through a Dark Lens | The Outer Dark: Episode 30 — FEBRUARY 8, 2016

February 8, 2016 / / 0 Comments

Strantzas-BBSAuthor/editor Simon Strantzas returns to discuss the reissue of his Shirley Jackson Award-nominated 2015 collection Burnt Black Suns in a leather-bound special edition by Dark Regions Press, generational shifts and rising momentum/progression in the Weird Renaissance, readers who evolve into editors and publishers such as Justin Steele and Sam Cowan (Dim Shores), theme/atmosphere and composing his earlier collections Beneath the Surface, Cold to the Touch and Nightingale Songs, scientific fieldwork as a story topic, the landmark editing of Joe Pulver and phenomenal weird/fabulist writing of Helen Marshall, the art of public reading, the True Detective bump, the dynamic between the Aickmanesque Strange and the Weird, the journal Thinking Horror which he co-edits with sj bagley, taxonomy as applied to insects and literature, reading back to understand aickman1-200x300the tapestry of the genre and how to bend/twist/add to it in a different way, writing as a puzzle, the revolutionary force of T.E.D. Klein, creating/curating the unofficial Website of Terry Lamsley, the British quiet and ghost story renaissance in late 90s/early 2000s horror, other brilliant authors who have not published much lately such as Don Tumasonis and Matt Cardin, the intersection between Weird and Horror, evolving trends and fusion in Horror, collaborating with Michael Kelly on editing Year’s Best Weird Fiction 3, the importance of and challenges to featuring lesser known and diverse writers in collections, Aickman and Ligotti as two writers who (like Lovecraft) opened new territories, Stephen King and Peter Straub, his reading recommendations including Nadia Bulkin and Lynda E. Rucker, an Italian edition of Burnt Black Suns in Edizioni Hypnos’ Modern Weird series, and the globalization of the Weird.

splittonguesNews from the Weird: Arkham Digest columnist/Strange Aeons fiction editor Justin Steele and special guest Sam Cowan, editor/publisher of Dim Shores Press, join Scott for the latest news including more about the exciting line-up for Year’s Best Weird Fiction 3, what’s next with Dim Shores, Lovecraft eZine Press, Egaeus Press, Lost Signals, Gamut Magazine and a listener contest to win a free Garrett Cook book! Plus Justin reviews Split Tongues by Kristi DeMeester, Dim Shores’ fifth and latest chapbook.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.

Next week’s guest: Authors/editors Nisi Shawl and Cynthia Ward of the Writing the Other workshop and book.

Please vote for The Outer Dark in the People’s Choice Project iRadio Podcast Awards. https://www.projectiradio.com/podcast-awards/

Also there wasn’t anything like this in the Levitra precautions found online, but still that’s my health, and I don’t want to end up with heart attack or anything similar.

Strantzas-NightingaleMore Links:

https://www.projectiradio.com/s-j-bagley-and-simon-strantzas-thinking-horror-in-the-21st-century-before-and-beyond-the-outer-dark-episode-10-september-8-2015/

https://necronomicon-providence.com/enter/

Robert Dunnell, Systematics in Prehistory: https://www.amazon.com/Systematics-Prehistory-Robert-C-Dunnell/dp/1930665288

https://www.jethrolentle.com/

Show credits:

Host/Executive Producer: Scott Nicolay

Co-Host, News From the Weird/Producer: Justin Steele

Associate Producer/Show notes/Publicist: Anya Martin

Logo Design: Nick “The Hat” Gucker

Music: Michael Griffin

Garrett Cook: Narrative Tyranny and the Gilawalrus in the Living Room | The Outer Dark: Episode 28 — JANUARY 21, 2016

January 21, 2016 / / 0 Comments

Cook-HungryWallsGarrett Cook discusses his latest novel A God of Hungry Walls, an extreme, brutally transgressive and claustrophobic haunted house tale that not only pushes the limits of Bizarro but provides the latest twist on a lineage of “malevolent genius loci” that starts with Shirley Jackson’s The Haunting of Hill House. Twisted topics include the influence of “growing up in a grim and antiquated place,” i.e. New England, his commitment to make each story “really different,” literary and cinematic influences from Robert Marasco’s Burnt Offerings to Clive Barker’s Coldheart Canyon, uncomfortable intimacy among roommates, using narrative to invoke an unpleasant hypnotic state, his poetry roots, Dante (yes, that Dante), existential psychosis that doesn’t trace back to anything, avoiding haunted house story tropes such as the psychic, the microfiche research scene, the occult detective and the Scooby Doo ending, a Nouveau Roman approach that makes the novel seem like “Jack Ketchum’s Last Spring at Marienbad,” the tyrannical nature of surrealism versus Bizarro’s narrative omnipotence, Jeff Burk’s couch, and bench-switching and writing in his own swan spot. Garrett also talks about some of his other works, including his first novel Murderland, his first foray into Bizarro Archelon Ranch, his intentionally historically inaccurate science fiction novel Time Pimp, and his short story collection You Might Just Make It Out of This Alive (Eraserhead Press).

widenerThe conversation then veers to the relationship between weird and Bizarro and Bizarro Central’s New Bizarro Author Series, which Garrett edited, including Karl Fischer’s Towers, Betty Rocksteady’s Arachnophile, Madeleine Swan’s Rainbows Suck, Chris Meekings’ Elephant Vice, Anthony Trevino’s King Space Void, Christoph Paul’s Slasher Camp for Nerd Dorks, Pedro Proença’s Benjamin and Lee Widener’s Rock n Roll Head Case, which Garrett calls the “absolute buy-ticket-and-ride” of the series or “Bill Plimpton’s Laser Blast.” He also “screams” about Autumn Christian, Danger Slater, and John Skipp, who is publishing them both via his Fungasm Press, a groundbreaking new imprint from Eraserhead. Finally: Garrett’s new performance series in Portland, Ore., Gilbert Road Grotesque, co-hosted by Alicia Graves, and hats.

furnace_cover_sm-662x1024News from the Weird:. Arkham Digest columnist/Strange Aeons fiction editor Justin Steele joins Scott once again with the latest about Livia Llewellyn, Richard Gavin, Xnoybis 2, Nightscript 2, Lost Signals, and more. Then special guest Michael Griffin unveils The Lure of Devouring Light, his much-anticipated first collection, now available for preorder from Word Horde Press and scheduled for release in April 2016. I have no erection, and am afraid that Levitra 20mg may be a problem. And Justin reviews Christopher Slatsky’s Alectryomancer and Other Weird Tales (Dunhams Manor Press).

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.

Next week’s guest: Mark Shapiro, marketing/brand management at Laika Studios (ParaNorman, Coraline) talks about this innovative stop-motion animation house’s upcoming release Kubo and the Two Strings.

More Links:

https://www.amazon.com/Autumn-Christian/e/B006QJ5USQ

https://www.theionpublishing.com/books/the-benighted-path-primeval-gnosis-and-the-monstrous-soul/

John C. Foster: On the Road of a Dark Americana | The Outer Dark: Episode 23 — DECEMBER 15, 2015

December 16, 2015 / / 0 Comments

Dead-Men-updated-coverJohn C. Foster unburies the genesis of his Libros de Inferno trilogy (Perpetual Motion Machine Publishing) which starts with Dead Men, playing in an ugly rough reality that is slipping and in decay, how he develops his storytelling via set pieces and way stations, his repulsion for spoon-feeding readers, his fascination with the concept of dread and creating a sense of jeopardy even for a tough guy, aiming for a dark Americana, Dead Men’s setting in Texas and northern Mexico, moving the second novel Night Roads (Oct. 2016) to Louisiana, blending hard-boiled and noir with more horrific elements, square-jawed heroes versus flawed characters in new lives, a dialogue with Frankenstein’s creation, writing as a corridor with many windows and doors, a Star Wars interlude, his influences including Stephen King, Raymond Chandler and Donald Westlake’s Parker novels, his other upcoming novel which is a dark espionage thriller called Mr. White (Grey Matter Press, March 2016), why you should “get out of the way when you see that Foster-John Smith sketchblack Cadillac coming,” using Mad Max as a structural model, epic narratives such as Gilgamesh and the notion of demi-Gods, revealing character through action, burial suits, damned books, occult versus super-science, the fearlessness of Laird Barron, what’s next for John including another novel, collection and upcoming short stories including “Dead Air” in the highly anticipated Lost Signals, edited by Max Booth III, and his reading recommendations of other contemporary writers to watch including Peter Straub (Koko), Josh Malerman (Bird Box), Paul Tremblay (A Head Full of Ghosts) and Thomas Ligotti (Penguin editions).

case6.000x9.000.inddNews of the Weird with Justin Steele includes the monumental anthology Leena Krohn: Collected Fiction and the VanderMeer Winter Mix StoryBundle which also includes eBooks of Anna Tambour’s Crandolin, Michael Cisco’s The Narrator, and seven other exciting works, an exciting offer which expires on Dec. 31. Also another major story reveal from Lost Signals, edited by Max Booth III, another upcoming Laird Barron novella, an update on Lovecraft eZine’s Autumn Cthulhu Kickstarter, the Ramsey Campbell tribute anthology The Children of Gla’aki. edited by Brian M. Sammons and Glynn Owen Barrass (Dark Regions Press) and new books from Dunhams Manor Press. Plus, a clue about Stories from the Borderland #3, posting tomorrow at www.ScottNicolay.com and artist Michael Bukowski’s yogblogsoth.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.

Next week’s guest: Laird Barron and Justin Steele join Scott for a roundtable on The State of the Weird 2016.

It’s a great drug Ultram intended for the treatment of moderate to severe pain.

More Links:

https://chizinepub.com/books/license-expired

https://en.wikipedia.org/wiki/Leigh_Brackett

https://www.strange-aeons.com/

Old Weird, New Weird or Just Plain Weird? Panel at World Fantasy Convention 2015 | The Outer Dark: Special Presentation — NOVEMBER 13, 2015

November 13, 2015 / / 0 Comments

November 7, 2015, World Fantasy Convention, Saratoga Springs, NY

Moderator: Thomas F. Monteleone. Panelists: Ellen Datlow, Michael Kelly, Anya Martin, Maura McHugh, Scott Nicolay

Description: When and where do they converge and converse?

weirdpanel-wfc2015Writers and editors discuss the roots and history of Weird fiction back to Weird Tales, 19th century authors and even The Iliad, editors’ perspectives on the Weird in their own work experiences, the Weird tale as independent of tropes, early definitions of the Weird by Le Fanu as a gothic supernatural tale and Lovecraft as dread-ridden cosmic horror, its evolution to an increasingly fluid and open vision and variety in the explosion of Weird fiction today, tapping into the strangeness of reality and the element of the unexplained but why not all odd stories are weird stories, where Weird tapers and becomes surreal, whether Weird fiction needs darkness as an ingredient and when fantasy and science fiction becomes Weird, writer Gemma Files’ suggestion from the audience that the nuance may lie in how the characters react to the Weird in the story, scares versus unease, David Lynch as Weird filmmaker, why keeping a wide open definition is better for nurturing the Weird, a peek inside the editorial process behind The Year’s Best Weird Fiction and the value of changing editors every year, the growing interest in the weird outside the spec-lit community and the upcoming Wave from Hollywood and mainstream publishing, a possible danger in letting the outside world define the weird, keeping the door open as long as we can, the role of the small presses in driving the Weird explosion, Weird as a pre-existing condition, Weird fiction in the novel form, the future of Weird fiction, the recurring theme in weird fiction of the environment rising up including when the environment is a house, when ghost stories can be weird stories, the etymology of the word “Weird” in the Anglo-Saxon “Wyrd” and its many connotations including fate/destiny/transformation, why the word “Weird” is Weird itself, following the River to an inevitable destiny versus appeal of unpredictability to the reader, Jack Spicer’s Martian, and many, many recommended authors from the 19th century to now.

However, as these drugs cause addiction and their action becomes less expressed, Tramadol 100mg is just a step between the NSAIDs and narcotic analgesics.

Thanks to Stephen Barringer for the panel photo.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.

More links:

https://borderlandspress.com/

https://www.hplovecraft.com/writings/texts/essays/shil.aspx

https://weirdfictionreview.com/2011/11/dogme-2011-for-weird-fiction-by-scott-nicolay/

https://weirdfictionreview.com/2014/11/the-expanding-borders-of-area-x/

Gemma Files: Every Movie Is a Ghost Story | The Outer Dark: Episode 15 — OCTOBER 13, 2015

October 13, 2015 / / 0 Comments

Gemma Files goes behind the lens of her new standalone horror novel Experimental Film, its roots in her background as a film critic who has seen more than 5000 movies, the difference between horror in cinema and horror literature, Stephen King, Peter Straub and Clive Barker, the hyper-reality of anything that happens behind the camera, her ongoing fascination with found footage narrative, why inside every movie is a ghost story, the aftertaste of Candyman and swimming deep into Lake Mungo, why she likes people who are monsters, accepting the monster inside herself and writing the monster, how the experience of raising an autistic son and discovering a shared language with him using music and movies has contributed to her own growth and work, why we are attracted to certain narratives and stories, personal narratives and the survival imperative of reframing one’s own narrative versus “collapsing to no one,” her tendency to set stories in war zones and the end of days as not an end but a transformation, moments of transfiguration and decision, crafting language in narrative, rap music, minute details of historical fashion, the unlikely genesis of her Weird western Hexslinger trilogy, opening oneself up to diversity and letting LBGT and culturally diverse characters speak for themselves, why she decided to write deliberatively about women, “Grave Goods,” her story in the upcoming Autumn Cthulhu from Lovecraft eZine about an all-women archaeological dig including a transgender character, how H.P. Lovecraft’s legacy today is to be subverted and how she approached writing for two all-female Lovecraft-themed anthologies, and her current reading recommendations including John Connolly’s short stories, The Book of Lost Things and his Charlie Parker noir novels, which she says are “totally horror” and “make it look effortless,” Adam Nevill, whose most recent book is No One Gets Out Alive and whom she says is ‘the real deal”—”so good and so vicious and so layered and beautifully, beautifully detailed” —and Shirley Jackson Award-winning author Helen Marshall—”My God she can write!”

News From the Weird

Arkham Digest’s Justin Steele joins The Outer Dark as resident reviewer to discuss Gemma Files’ latest novel, Experimental Film.

Birthday Hair sm

Guest Bio:

Former film critic and teacher Gemma Files won the 1999 International Horror Guild short fiction award for her story “The Emperor’s Old Bones,” which appears in her collection The Worm in Every Heart. Both it and her earlier collection, Kissing Carrion, feature stories adapted into episodes of The Hunger, an anthology TV show produced by Ridley and Tony Scott. Her first novel, A Book of Tongues: Volume One of the Hexslinger Series (ChiZine Publications), won a DarkScribe Magazine Black Quill award for “Best Small Press Chill” in both the Editor’s and Readers’ Choice categories. A Rope of Thorns (2011) and A Tree of Bones (2012) complete the trilogy. She is also the author of We Will All Go Down Together: Stories of the Five-Family Coven. Her latest novel, Experimental Film, was released in November 2015 and .

Buy Tramadol is an analgesic that belongs to the list of potent narcotic drugs.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.

More Links:

https://www.innsmouthfreepress.com/blog/books/she-walks-in-shadows/

https://www.indiegogo.com/projects/dreams-from-the-witch-house-women-of-lovecraft#/

Next week’s guest: Dwayne Olson of Fedogan & Bremer Press discusses the authoritative new two-CD audio release of H.P. Lovecraft‘s sonnet cycle Fungi From Yuggoth.

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