Scott Nicolay

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Tag: Painted Monsters and Other Strange Beasts

Orrin Grey: Who’s Afraid of the Painted Monster? | The Outer Dark: Episode 19 — NOVEMBER 11, 2015

pm-cov72dpiOrrin Grey, author of Painted Monsters & Other Strange Beasts, shares the secret origins of his latest collection including how artist Nick Gucker deftly worked details from all the stories into a monstrously macabre cover, the dialogue with horror cinema from Universal to Hammer to giallo that runs through his wonderfully plotted works, what he describes as a “Clive Barker influence,” exploring “philosophy” through narrative, using tropes as shorthand but in surprising, unconventional ways, ghost stories not about ghosts as we expect them to be, similarities to Robert Aickman, acknowledging and celebrating dramatic influences from William Shakespeare to William Castle, the extraordinary significance of Peter Bogdanovich’s Targets starring Boris Karloff and how that film juxtaposed an older Gothic, creepy school of horror with the modern paranoia-laced violent horror of the Sixties, scholarly approaches versus jazz riffing on many different traditions of horror film and literature especially in the title story, his love of wax museums, the dialogue between the stories in both of his anthologies, John Langan who wrote the introduction, his obsession with obsession, The Prestige, twin novella finales about selling your soul to the Devil, what he learned about pacing from Mike Mignola and giving the Golem the Universal treatment via Hellboy pulp expressionist styling, affinities with Belgian Weird author Jean Ray and buried Malpertuis in “Painted Monsters,” Old Dark House movies, death as a recurring theme in every single story, what’s next for Orrin Grey including stories, novellas, and a nonfiction book about horror films, talking movies with Gemma Files, musing about seeing his own work someday on film, and his recent reading recommendations including previous The Outer Dark guest Silvia Moreno-Garcia and Amanda Downum.

Justin Steele reviews Orrin Grey’s Painted Monsters & Other Strange Beasts, and joins Scott for this week’s installment of News from the Weird including coverage of World Fantasy Convention 2015 and the World Fantasy Awards, as well as exciting upcoming collections, novels and other works by some of the biggest names in Weird.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes  or Blubrry to make sure you don’t miss an episode.

More Links:

https://www.patreon.com/orringrey?ty=h

https://www.paulchadwick.net/

https://www.strange-aeons.com/

Next week’s guest: Mike Davis, editor/publisher of Lovecraft eZine. and the upcoming anthology, Autumn Cthulhu.

Nick Gucker: Throwing a Stick at the Moon| The Outer Dark: Episode 13 — SEPTEMBER 29, 2015

KLAW Color cover 72dpiNick Gucker, AKA Nick the Hat, one of weird fiction’s most beloved artists and the designer of The Outer Dark’s logo, shares his secret superhero origin story growing up weird on the water and in the woods of rural Alaska, how he journeyed south to Seattle to study art and play in punk rock bands, his early love of Ambrose Bierce, an affection for the surreal naturalist horror of Algernon Blackwood, physicality and monsters in William Hope Hodgson’s work, strange fish and the deep abyss of the ocean in his art, peeling back and creasing the skin in anatomy class and beyond, an odd subliminal influence of Dr. Seuss fueled PaintedMonsters_cover_001_FC_smallperhaps by the more disturbing aspects of Yertle the Turtle and the sheer terror of the pants with nobody inside them, designing the logo for The Outer Dark, finding a home at the H.P. Lovecraft Film Festival and NecronomiCon Providence, adventures in Bali and Asian influences on his art, his favorite punk rock outsider artists from Blinko to Walsby, complexity in his art as a way to entice observers to explore the image longer and more deeply, collaborating with authors/publishers/magazines/convention organizers throughout the Weird Renaissance, recent work including the cover for Orrin Grey’s Painted Monsters and Other Strange Beasts (Word Horde), his commitment not to indulge in the exploitative side of pulp art, what he’s working on now and next, and his recommended artists working in the Weird today including Mike Dubisch, Mike Bukowski, Jeanne D’Angelo, Dave Felton, Chris Mars, Skinner, Paul Komoda, Josh Yelle, Allen Williams, Robert H. Knox and Liv Rainey-Smith.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes  or Blubrry to make sure you don’t miss an episode.

MythofFallingJacobMore Links:

https://esoterx.com/2013/01/09/the-fearsome-alaskan-tlingit-kushtaka-if-its-not-one-thing-its-an-otter/

“What Was I Scared Of” By Dr. Seuss. https://www.youtube.com/watch?v=xxuhKur2IYo

https://www.blancomuseum.com/

https://www.outsiderart.co.uk/blinko.htm

https://www.pusfan.com/art.htm

https://dennisdread.blogspot.com/2007/06/legacy-of-mad-marc-rude.html

https://www.brianwalsby.net/BrianWalsby.net/Home.html

https://witchhouserocks.com/

Next week’s guest: Craig Laurance Gidney, author of Skin Deep Magic (Rebel Satori Press) and The Nectar of Nightmares (forthcoming from Dim Shores)

Daniel Mills: When Things Were Rotten, a Weird Historicity | The Outer Dark: Episode 11 — SEPTEMBER 16, 2015

tlcat_newDaniel Mills, author of the 2014 critically acclaimed collection The Lord Came at Twilight, discusses how his writing engages with historical voices such as Hawthorne, Chambers and others, rediscovering obscure authors of the 19th and 20th centuries who delved into weird, ghosts and the supernatural, the tendency among contemporary weird writers to be archivists/archaeologists digging into old sources for forgotten gems, his wistful yearning for past eras such as Colonial America versus confronting the spiritual corruption of American history in his stories, presenting a mannered lyrical approach to storytelling in a fresh and contemporary application, the artistry of depicting grotesque material with beautiful prose, modern cinematic writing versus language itself as “a world where you can disappear,” narrative restraint and the horror that happens offstage, courtships that reflect the intersection of deeply repressed desires and warped worldviews, clerical characters and the contradictions of America’s Christian mythos, creative misremembering, balancing presentism and historicism, discovering a shared New England sensibility with Matthew Bartlett, NecronomiCon Providence and the excitement and critical mass of today’s Weird Renaissance, the resounding influence of John Bellairs, upcoming projects including short stories, a novella and a second novel inspired by the spiritualism and theosophy movements of the late 19th century, and his current recommended reading including Reggie Oliver and Orrin Grey

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes  or Blubrry to make sure you don’t miss an episode.

More Links:

www.daniel-mills.net/

“Brickett Bottom” by Amyas Northcote: https://gutenberg.net.au/ebooks06/0606161h.html#s2

Next Week’s Guest: Niels Hobbs, Director of NecronomiCon Providence.

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