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Boy Eating

Awards seem to come naturally, or perhaps supernaturally to Helen Marshall whose words weave threads across horror, dark fantasy and into the Weird. Her most recent collection Gifts for the One Who Comes After (ChiZine Publications, 2014) earned her both a World Fantasy Award and a Shirley Jackson Award, and is shortlisted for the ReLit Awards which honor the best new works from Canadian independent publishers. Her first collection Hair Side Flesh Side (ChiZine Publications, 2012) won the British Fantasy Sydney J Bounds Award for Best Newcomer.

Helen traces her transition from small town Ontario to poet to a PhD in Medieval Studies to managing editor for ChiZine Publications to short story writer and now novelist (she hopes to finish her first novel Icarus Kids, which draws on her Medievalist background and explores “plague, denial and apocalypse” this week). She also discusses how the writing community sustains her work, a certain unencumbered freedom in current Canadian spec-lit, and the strong indie press movement in Canada including ChiZine and Undertow Publications. References are made to Robert Aickman including Helen’s unexpected fondness for his story “The Swords” and a shared philosophy of endings, as well as Clive Barker, Stephen King, Etgar Keret

Boy Eating

and Gabriel Garcia Marquez. Helen takes us on a wild ride, peeling back the skin of her imagination including playing with the “rules” of genre, the capaciousness of the Weird, the strange economy of medieval relics, where magic realism and absurdism and medievalism intersect, and how personal transitions provoked her to engage the “monster in the basement” of her second collection: Legacy. They delve deeply into the archaeology of specific stories including “Sanditon” which plays off the concept of “body as book” in Medieval lit, “Ship House” which explores a legacy of violence inherited from her South African mother, her recurring theme of offbeat consumerism meets a childish sense of make-believe turned disturbingly real in such tales as “Supply Limited, Act Now” about kids in an idyllic Bradburyesque community who order a shrink ray that works, and more. Finally, Helen recommends Indian author Indra Das (The Devourers), recent The Outer Dark guest Gemma Files (especially her recent novel Experimental Film), and Nina Allan (The Race).

News from the Weird: Arkham Digest columnist/Strange Aeons fiction editor Justin Steele reviews a weird work from the Vault, Matt Cardin’s Divinations of the Deep (Ash-Tree Press, 2002), an excellent collection of five cosmic horror stories that may lurk just outside the radar of some readers recently discovering the Weird.

Then Mike Davis, editor of Lovecraft eZine, joins Scott and Justin again to talk about exciting Kickstarter stretch goals for his highly anticipated Autumn Cthulhu anthology and more. Plus two new fiction magazines and a major Weird market now reopened to submissions, as well as another author reveal from the much anticipated Lost Signals anthology (ed. Max Booth III/Perpetual Motion Machine Press).

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.

Next week’s guest: Rios de la Luz, author of The Pulse Between Dimensions and the Desert.

More links:

https://www.facebook.com/gamutmagazine/?fref=ts

https://whatdoesnotkillme.com/2015/12/22/gamut/

https://www.facebook.com/mantidmagazine/?pnref=lhc

https://mantidmagazine.tumblr.com/

Nightscript: https://chthonicmatter.wordpress.com/

Stories from the Borderland: https://scottnicolay.com/blog/

Robert Levy unveils and explores the secret origins of his novel The Glittering World from his own personal experiences in Cape Breton, Canada, or, in other words, “taking a great memory and completely destroying it,” similarities between the old lore behind fairies and alien abduction mythology, his ambivalence about but recognition of genre marketing in the publishing business, how a genre-defying and Weird first novel got placed with a major publisher, other authors like Jeff VanderMeer and Paul Tremblay who are breaking the Weird into big publishing, structural similarities in The Glittering World to two Alfred Hitchcock classics, the Weird’s transition from shorter modes into the novel, the short story and novels as different forms, how the book sheds its skin as the main characters unfold the narrative akin to a four-course meal, when the glitter fades–his exploration of transitioning from the club scene fantasy lifestyle to adulthood, the title’s unexpected relationship to the tradition of Navajo emergent/creation stories, altered states as a form of escape, insects, parallels to the iconic relationship in Wuthering Heights by Emily Bronte, his fascination with people who are “right on the edge of oblivion or failure,” a stolen paperweight and life as a bizarre sequence of coincidences, storytelling as one way we try to give our life meaning, choice as the “anxiety of freedom,” taking his time to write a novel, fiction as a diary, future works which might have something to do with cults and found manuscripts, and his reading recommendations of other contemporary writers to watch including Livia Llewellyn, Desirina Boskovich, Dale Bailey, and Molly Tanzer.

News of the Weird Special Guest: Writer/editor Mike Allen reveals the table of contents for Clockwork Phoenix 5 in another exclusive The Outer Dark announcement.

And Justin Steele joins Scott to review The Glittering World.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.

Next week’s guest: John C. Foster, author of the Libros de Inferno trilogy (Perpetual Motion Machine Publishing) which starts with Dead Men.