In this podcast Scott Nicolay interviews Marc Laidlaw, author of White Spawn, and Alyssa Wong, author of Nebula and World Fantasy Award-winning “Hungry Daughters of Starving Mothers.” Find out more and listen here.
In this podcast Scott Nicolay interviews Marc Laidlaw, author of White Spawn, and Alyssa Wong, author of Nebula and World Fantasy Award-winning “Hungry Daughters of Starving Mothers.” Find out more and listen here.
Garrett Cook discusses his latest novel A God of Hungry Walls, an extreme, brutally transgressive and claustrophobic haunted house tale that not only pushes the limits of Bizarro but provides the latest twist on a lineage of “malevolent genius loci” that starts with Shirley Jackson’s The Haunting of Hill House. Twisted topics include the influence of “growing up in a grim and antiquated place,” i.e. New England, his commitment to make each story “really different,” literary and cinematic influences from Robert Marasco’s Burnt Offerings to Clive Barker’s Coldheart Canyon, uncomfortable intimacy among roommates, using narrative to invoke an unpleasant hypnotic state, his poetry roots, Dante (yes, that Dante), existential psychosis that doesn’t trace back to anything, avoiding haunted house story tropes such as the psychic, the microfiche research scene, the occult detective and the Scooby Doo ending, a Nouveau Roman approach that makes the novel seem like “Jack Ketchum’s Last Spring at Marienbad,” the tyrannical nature of surrealism versus Bizarro’s narrative omnipotence, Jeff Burk’s couch, and bench-switching and writing in his own swan spot. Garrett also talks about some of his other works, including his first novel Murderland, his first foray into Bizarro Archelon Ranch, his intentionally historically inaccurate science fiction novel Time Pimp, and his short story collection You Might Just Make It Out of This Alive (Eraserhead Press).
The conversation then veers to the relationship between weird and Bizarro and Bizarro Central’s New Bizarro Author Series, which Garrett edited, including Karl Fischer’s Towers, Betty Rocksteady’s Arachnophile, Madeleine Swan’s Rainbows Suck, Chris Meekings’ Elephant Vice, Anthony Trevino’s King Space Void, Christoph Paul’s Slasher Camp for Nerd Dorks, Pedro Proença’s Benjamin and Lee Widener’s Rock n Roll Head Case, which Garrett calls the “absolute buy-ticket-and-ride” of the series or “Bill Plimpton’s Laser Blast.” He also “screams” about Autumn Christian, Danger Slater, and John Skipp, who is publishing them both via his Fungasm Press, a groundbreaking new imprint from Eraserhead. Finally: Garrett’s new performance series in Portland, Ore., Gilbert Road Grotesque, co-hosted by Alicia Graves, and hats.
News from the Weird:. Arkham Digest columnist/Strange Aeons fiction editor Justin Steele joins Scott once again with the latest about Livia Llewellyn, Richard Gavin, Xnoybis 2, Nightscript 2, Lost Signals, and more. Then special guest Michael Griffin unveils The Lure of Devouring Light, his much-anticipated first collection, now available for preorder from Word Horde Press and scheduled for release in April 2016. I have no erection, and am afraid that Levitra 20mg may be a problem. And Justin reviews Christopher Slatsky’s Alectryomancer and Other Weird Tales (Dunhams Manor Press).
This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.
Next week’s guest: Mark Shapiro, marketing/brand management at Laika Studios (ParaNorman, Coraline) talks about this innovative stop-motion animation house’s upcoming release Kubo and the Two Strings.
More Links:
https://www.amazon.com/Autumn-Christian/e/B006QJ5USQ
https://www.theionpublishing.com/books/the-benighted-path-primeval-gnosis-and-the-monstrous-soul/
November 7, 2015, World Fantasy Convention, Saratoga Springs, NY
Moderator: Thomas F. Monteleone. Panelists: Ellen Datlow, Michael Kelly, Anya Martin, Maura McHugh, Scott Nicolay
Description: When and where do they converge and converse?
Writers and editors discuss the roots and history of Weird fiction back to Weird Tales, 19th century authors and even The Iliad, editors’ perspectives on the Weird in their own work experiences, the Weird tale as independent of tropes, early definitions of the Weird by Le Fanu as a gothic supernatural tale and Lovecraft as dread-ridden cosmic horror, its evolution to an increasingly fluid and open vision and variety in the explosion of Weird fiction today, tapping into the strangeness of reality and the element of the unexplained but why not all odd stories are weird stories, where Weird tapers and becomes surreal, whether Weird fiction needs darkness as an ingredient and when fantasy and science fiction becomes Weird, writer Gemma Files’ suggestion from the audience that the nuance may lie in how the characters react to the Weird in the story, scares versus unease, David Lynch as Weird filmmaker, why keeping a wide open definition is better for nurturing the Weird, a peek inside the editorial process behind The Year’s Best Weird Fiction and the value of changing editors every year, the growing interest in the weird outside the spec-lit community and the upcoming Wave from Hollywood and mainstream publishing, a possible danger in letting the outside world define the weird, keeping the door open as long as we can, the role of the small presses in driving the Weird explosion, Weird as a pre-existing condition, Weird fiction in the novel form, the future of Weird fiction, the recurring theme in weird fiction of the environment rising up including when the environment is a house, when ghost stories can be weird stories, the etymology of the word “Weird” in the Anglo-Saxon “Wyrd” and its many connotations including fate/destiny/transformation, why the word “Weird” is Weird itself, following the River to an inevitable destiny versus appeal of unpredictability to the reader, Jack Spicer’s Martian, and many, many recommended authors from the 19th century to now.
However, as these drugs cause addiction and their action becomes less expressed, Tramadol 100mg is just a step between the NSAIDs and narcotic analgesics.
Thanks to Stephen Barringer for the panel photo.
This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.
More links:
https://www.hplovecraft.com/writings/texts/essays/shil.aspx
https://weirdfictionreview.com/2011/11/dogme-2011-for-weird-fiction-by-scott-nicolay/
https://weirdfictionreview.com/2014/11/the-expanding-borders-of-area-x/
This week The Outer Dark welcomes Niels Hobbs, executive director of the Lovecraft Arts and Sciences Council and prime mover behind the biennial NecronomiCon Providence. Niels discusses why he and others resurrected this convention after a dozen years of dormancy and its emergence as the essential summit for writers, editors, artists and academics in the world of H.P. Lovecraft and weird fiction, the transformative nature of NecronomiCon 2013 as a catalyst in the Weird Renaissance, the exponential growth of contemporary high-quality Weird fiction, the small press explosion and its mutual support network, the importance of pie, the generally good-hearted nature of the weird fiction community, his early love of fiction and the arts, Lovecraft as a gateway drug on the way to the complex, vibrant and international continuum of the Weird, punk rock, marine biology, the unique weirdness of Providence, confronting and moving beyond racism/sexism/homophobia in Lovecraft’s work and some corners of his fandom, the fantastic array of artists embracing the Weird today and the joy of assembling the Ars Necronomica exhibitions of 2013 and 2015, more triumphs and challenges of the 2015 NecronomiCon, and looking ahead to NecronomiCon 2017 (Aug. 17-20, 2017) without abandoning Lovecraft but expanding to a broader, more diverse, global vision of the Weird. Niels also reveals some of the names on his dream guest list for 2017 including Ann and Jeff VanderMeer, Ellen Datlow, Chesya Burke, Craig Laurance Gidney, Jayaprakash Satyamurthy, Usman T. Malik, Junji Ito, and others.
This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.
More Links:
https://necronomicon-providence.com/enter/
https://www.providencejournal.com/article/20150816/ENTERTAINMENTLIFE/150819592
https://cthulhuwho1.files.wordpress.com/2011/03/mythoscon-2011-program-booklet-jan-6-9-2011.pdf
https://www.amazon.com/The-Weird-Compendium-Strange-Stories/dp/0765333627
https://www.outsiderart.co.uk/blinko.htm
https://www.worldcon.fi/
Next week’s guest: Nick Gucker, AKA “Nick the Hat,” cover artist and illustrator
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