Scott Nicolay

Ana Kai Tangata

Tag: Herman Melville

Simon Strantzas: The World Through a Dark Lens | The Outer Dark: Episode 30 — FEBRUARY 8, 2016

February 8, 2016 / / 0 Comments

Strantzas-BBSAuthor/editor Simon Strantzas returns to discuss the reissue of his Shirley Jackson Award-nominated 2015 collection Burnt Black Suns in a leather-bound special edition by Dark Regions Press, generational shifts and rising momentum/progression in the Weird Renaissance, readers who evolve into editors and publishers such as Justin Steele and Sam Cowan (Dim Shores), theme/atmosphere and composing his earlier collections Beneath the Surface, Cold to the Touch and Nightingale Songs, scientific fieldwork as a story topic, the landmark editing of Joe Pulver and phenomenal weird/fabulist writing of Helen Marshall, the art of public reading, the True Detective bump, the dynamic between the Aickmanesque Strange and the Weird, the journal Thinking Horror which he co-edits with sj bagley, taxonomy as applied to insects and literature, reading back to understand aickman1-200x300the tapestry of the genre and how to bend/twist/add to it in a different way, writing as a puzzle, the revolutionary force of T.E.D. Klein, creating/curating the unofficial Website of Terry Lamsley, the British quiet and ghost story renaissance in late 90s/early 2000s horror, other brilliant authors who have not published much lately such as Don Tumasonis and Matt Cardin, the intersection between Weird and Horror, evolving trends and fusion in Horror, collaborating with Michael Kelly on editing Year’s Best Weird Fiction 3, the importance of and challenges to featuring lesser known and diverse writers in collections, Aickman and Ligotti as two writers who (like Lovecraft) opened new territories, Stephen King and Peter Straub, his reading recommendations including Nadia Bulkin and Lynda E. Rucker, an Italian edition of Burnt Black Suns in Edizioni Hypnos’ Modern Weird series, and the globalization of the Weird.

splittonguesNews from the Weird: Arkham Digest columnist/Strange Aeons fiction editor Justin Steele and special guest Sam Cowan, editor/publisher of Dim Shores Press, join Scott for the latest news including more about the exciting line-up for Year’s Best Weird Fiction 3, what’s next with Dim Shores, Lovecraft eZine Press, Egaeus Press, Lost Signals, Gamut Magazine and a listener contest to win a free Garrett Cook book! Plus Justin reviews Split Tongues by Kristi DeMeester, Dim Shores’ fifth and latest chapbook.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.

Next week’s guest: Authors/editors Nisi Shawl and Cynthia Ward of the Writing the Other workshop and book.

Please vote for The Outer Dark in the People’s Choice Project iRadio Podcast Awards. https://www.projectiradio.com/podcast-awards/

Also there wasn’t anything like this in the Levitra precautions found online, but still that’s my health, and I don’t want to end up with heart attack or anything similar.

Strantzas-NightingaleMore Links:

https://www.projectiradio.com/s-j-bagley-and-simon-strantzas-thinking-horror-in-the-21st-century-before-and-beyond-the-outer-dark-episode-10-september-8-2015/

https://necronomicon-providence.com/enter/

Robert Dunnell, Systematics in Prehistory: https://www.amazon.com/Systematics-Prehistory-Robert-C-Dunnell/dp/1930665288

https://www.jethrolentle.com/

Show credits:

Host/Executive Producer: Scott Nicolay

Co-Host, News From the Weird/Producer: Justin Steele

Associate Producer/Show notes/Publicist: Anya Martin

Logo Design: Nick “The Hat” Gucker

Music: Michael Griffin

John C. Foster: On the Road of a Dark Americana | The Outer Dark: Episode 23 — DECEMBER 15, 2015

December 16, 2015 / / 0 Comments

Dead-Men-updated-coverJohn C. Foster unburies the genesis of his Libros de Inferno trilogy (Perpetual Motion Machine Publishing) which starts with Dead Men, playing in an ugly rough reality that is slipping and in decay, how he develops his storytelling via set pieces and way stations, his repulsion for spoon-feeding readers, his fascination with the concept of dread and creating a sense of jeopardy even for a tough guy, aiming for a dark Americana, Dead Men’s setting in Texas and northern Mexico, moving the second novel Night Roads (Oct. 2016) to Louisiana, blending hard-boiled and noir with more horrific elements, square-jawed heroes versus flawed characters in new lives, a dialogue with Frankenstein’s creation, writing as a corridor with many windows and doors, a Star Wars interlude, his influences including Stephen King, Raymond Chandler and Donald Westlake’s Parker novels, his other upcoming novel which is a dark espionage thriller called Mr. White (Grey Matter Press, March 2016), why you should “get out of the way when you see that Foster-John Smith sketchblack Cadillac coming,” using Mad Max as a structural model, epic narratives such as Gilgamesh and the notion of demi-Gods, revealing character through action, burial suits, damned books, occult versus super-science, the fearlessness of Laird Barron, what’s next for John including another novel, collection and upcoming short stories including “Dead Air” in the highly anticipated Lost Signals, edited by Max Booth III, and his reading recommendations of other contemporary writers to watch including Peter Straub (Koko), Josh Malerman (Bird Box), Paul Tremblay (A Head Full of Ghosts) and Thomas Ligotti (Penguin editions).

case6.000x9.000.inddNews of the Weird with Justin Steele includes the monumental anthology Leena Krohn: Collected Fiction and the VanderMeer Winter Mix StoryBundle which also includes eBooks of Anna Tambour’s Crandolin, Michael Cisco’s The Narrator, and seven other exciting works, an exciting offer which expires on Dec. 31. Also another major story reveal from Lost Signals, edited by Max Booth III, another upcoming Laird Barron novella, an update on Lovecraft eZine’s Autumn Cthulhu Kickstarter, the Ramsey Campbell tribute anthology The Children of Gla’aki. edited by Brian M. Sammons and Glynn Owen Barrass (Dark Regions Press) and new books from Dunhams Manor Press. Plus, a clue about Stories from the Borderland #3, posting tomorrow at www.ScottNicolay.com and artist Michael Bukowski’s yogblogsoth.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.

Next week’s guest: Laird Barron and Justin Steele join Scott for a roundtable on The State of the Weird 2016.

It’s a great drug Ultram intended for the treatment of moderate to severe pain.

More Links:

https://chizinepub.com/books/license-expired

https://en.wikipedia.org/wiki/Leigh_Brackett

https://www.strange-aeons.com/

Old Weird, New Weird or Just Plain Weird? Panel at World Fantasy Convention 2015 | The Outer Dark: Special Presentation — NOVEMBER 13, 2015

November 13, 2015 / / 0 Comments

November 7, 2015, World Fantasy Convention, Saratoga Springs, NY

Moderator: Thomas F. Monteleone. Panelists: Ellen Datlow, Michael Kelly, Anya Martin, Maura McHugh, Scott Nicolay

Description: When and where do they converge and converse?

weirdpanel-wfc2015Writers and editors discuss the roots and history of Weird fiction back to Weird Tales, 19th century authors and even The Iliad, editors’ perspectives on the Weird in their own work experiences, the Weird tale as independent of tropes, early definitions of the Weird by Le Fanu as a gothic supernatural tale and Lovecraft as dread-ridden cosmic horror, its evolution to an increasingly fluid and open vision and variety in the explosion of Weird fiction today, tapping into the strangeness of reality and the element of the unexplained but why not all odd stories are weird stories, where Weird tapers and becomes surreal, whether Weird fiction needs darkness as an ingredient and when fantasy and science fiction becomes Weird, writer Gemma Files’ suggestion from the audience that the nuance may lie in how the characters react to the Weird in the story, scares versus unease, David Lynch as Weird filmmaker, why keeping a wide open definition is better for nurturing the Weird, a peek inside the editorial process behind The Year’s Best Weird Fiction and the value of changing editors every year, the growing interest in the weird outside the spec-lit community and the upcoming Wave from Hollywood and mainstream publishing, a possible danger in letting the outside world define the weird, keeping the door open as long as we can, the role of the small presses in driving the Weird explosion, Weird as a pre-existing condition, Weird fiction in the novel form, the future of Weird fiction, the recurring theme in weird fiction of the environment rising up including when the environment is a house, when ghost stories can be weird stories, the etymology of the word “Weird” in the Anglo-Saxon “Wyrd” and its many connotations including fate/destiny/transformation, why the word “Weird” is Weird itself, following the River to an inevitable destiny versus appeal of unpredictability to the reader, Jack Spicer’s Martian, and many, many recommended authors from the 19th century to now.

However, as these drugs cause addiction and their action becomes less expressed, Tramadol 100mg is just a step between the NSAIDs and narcotic analgesics.

Thanks to Stephen Barringer for the panel photo.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.

More links:

https://borderlandspress.com/

https://www.hplovecraft.com/writings/texts/essays/shil.aspx

https://weirdfictionreview.com/2011/11/dogme-2011-for-weird-fiction-by-scott-nicolay/

https://weirdfictionreview.com/2014/11/the-expanding-borders-of-area-x/

Daniel Mills: When Things Were Rotten, a Weird Historicity | The Outer Dark: Episode 11 — SEPTEMBER 16, 2015

September 16, 2015 / / 0 Comments

tlcat_newDaniel Mills, author of the 2014 critically acclaimed collection The Lord Came at Twilight, discusses how his writing engages with historical voices such as Hawthorne, Chambers and others, rediscovering obscure authors of the 19th and 20th centuries who delved into weird, ghosts and the supernatural, the tendency among contemporary weird writers to be archivists/archaeologists digging into old sources for forgotten gems, his wistful yearning for past eras such as Colonial America versus confronting the spiritual corruption of American history in his stories, presenting a mannered lyrical approach to storytelling in a fresh and contemporary application, the artistry of depicting grotesque material with beautiful prose, modern cinematic writing versus language itself as “a world where you can disappear,” narrative restraint and the horror that happens offstage, courtships that reflect the intersection of deeply repressed desires and warped worldviews, clerical characters and the contradictions of America’s Christian mythos, creative misremembering, balancing presentism and historicism, discovering a shared New England sensibility with Matthew Bartlett, NecronomiCon Providence and the excitement and critical mass of today’s Weird Renaissance, the resounding influence of John Bellairs, upcoming projects including short stories, a novella and a second novel inspired by the spiritualism and theosophy movements of the late 19th century, and his current recommended reading including Reggie Oliver and Orrin Grey. 

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes  or Blubrry to make sure you don’t miss an episode.

More Links:

www.daniel-mills.net/

“Brickett Bottom” by Amyas Northcote: https://gutenberg.net.au/ebooks06/0606161h.html#s2

Next Week’s Guest: Niels Hobbs, Director of NecronomiCon Providence.

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