Haunted House |

Garrett Cook discusses his latest novel A God of Hungry Walls, an extreme, brutally transgressive and claustrophobic haunted house tale that not only pushes the limits of Bizarro but provides the latest twist on a lineage of “malevolent genius loci” that starts with Shirley Jackson’s The Haunting of Hill House. Twisted topics include the influence of “growing up in a grim and antiquated place,” i.e. New England, his commitment to make each story “really different,” literary and cinematic influences from Robert Marasco’s Burnt Offerings to Clive Barker’s Coldheart Canyon, uncomfortable intimacy among roommates, using narrative to invoke an unpleasant hypnotic state, his poetry roots, Dante (yes, that Dante), existential psychosis that doesn’t trace back to anything, avoiding haunted house story tropes such as the psychic, the microfiche research scene, the occult detective and the Scooby Doo ending, a Nouveau Roman approach that makes the novel seem like “Jack Ketchum’s Last Spring at Marienbad,” the tyrannical nature of surrealism versus Bizarro’s narrative omnipotence, Jeff Burk’s couch, and bench-switching and writing in his own swan spot. Garrett also talks about some of his other works, including his first novel Murderland, his first foray into Bizarro Archelon Ranch, his intentionally historically inaccurate science fiction novel Time Pimp, and his short story collection You Might Just Make It Out of This Alive (Eraserhead Press).

The conversation then veers to the relationship between weird and Bizarro and Bizarro Central’s New Bizarro Author Series, which Garrett edited, including Karl Fischer’s Towers, Betty Rocksteady’s Arachnophile, Madeleine Swan’s Rainbows Suck, Chris Meekings’ Elephant Vice, Anthony Trevino’s King Space Void, Christoph Paul’s Slasher Camp for Nerd Dorks, Pedro Proença’s Benjamin and Lee Widener’s Rock n Roll Head Case, which Garrett calls the “absolute buy-ticket-and-ride” of the series or “Bill Plimpton’s Laser Blast.” He also “screams” about Autumn Christian, Danger Slater, and John Skipp, who is publishing them both via his Fungasm Press, a groundbreaking new imprint from Eraserhead. Finally: Garrett’s new performance series in Portland, Ore., Gilbert Road Grotesque, co-hosted by Alicia Graves, and hats.

News from the Weird:. Arkham Digest columnist/Strange Aeons fiction editor Justin Steele joins Scott once again with the latest about Livia Llewellyn, Richard Gavin, Xnoybis 2, Nightscript 2, Lost Signals, and more. Then special guest Michael Griffin unveils The Lure of Devouring Light, his much-anticipated first collection, now available for preorder from Word Horde Press and scheduled for release in April 2016. I have no erection, and am afraid that Levitra 20mg may be a problem. And Justin reviews Christopher Slatsky’s Alectryomancer and Other Weird Tales (Dunhams Manor Press).

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.

Next week’s guest: Mark Shapiro, marketing/brand management at Laika Studios (ParaNorman, Coraline) talks about this innovative stop-motion animation house’s upcoming release Kubo and the Two Strings.

More Links:

https://www.amazon.com/Autumn-Christian/e/B006QJ5USQ

https://www.theionpublishing.com/books/the-benighted-path-primeval-gnosis-and-the-monstrous-soul/

Clint Smith talks about his latest story in C M Muller’s journal Nightscript and the excitement of sharing a table of contents with both other established and emerging voices, the strength and good new work in the Weird fiction community now, his first collection Ghouljaw and Other Stories, the weirdness of Henry James’ “The Jolly Corner,” his repetitious obsession with haunted houses, his knack for crafting titles that resonate, allusions to Night Gallery and The Day of the Locust, his propensity towards young protagonists trapped on the path to adult maturity, the barbershop and other father-son rituals, a favorable comparison to Breece D’J Pancake, when insects intrude into the house, a Bradbury inversion, obstacles and contradictions in the Middle American town, a pleasant face on the street, his background in the culinary arts, a future work involving race, sex and hierarchy in restaurant kitchens of the 1950s, moving away from the single white male protagonist to use the Weird to engage in more robust relationship issues, his Dunhams Manor chapbook “When It’s Time For Dead Things To Die,” his story “The Fall of Tomlinson Hall” in Mythic Indy, more upcoming work including “Dirt on Vicky” in Year’s Best New Horror 26 edited by Stephen Jones, and his reading recommendations of contemporary Weird writers including Kristi DeMeester, Ralph Robert Moore, Marc E. Fitch and Christopher Slatsky.

News of the Weird Special Guest: Michael Kelly, editor/publisher of Undertow Publications and 2015 World Fantasy Award nominee for the journal Shadows and Tall Trees, visits The Outer Dark to remind writers, editors and publishers that the deadline draws near for Year’s Best Weird Fiction, Volume 3, edited by Simon Strantzas. Send all submissions (up to 20,000K) to bestweirdfiction@gmail.com before Dec. 31. Michael also previews upcoming 2016 Undertow releases.

And Justin Steele joins Scott to review X’s for Eyes, the latest novella by Laird Barron and a JournalStone/Bizarro Pulp Press release in softcover and eBook in December.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.

Next week’s guest: Robert Levy, author of The Glittering World.

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