First edition of “Les Xipéhuz” published by Albert Savine (1888).
A horde of conical, unstoppable, and seemingly indestructible antagonists, exterminating all organic life with mysterious heat rays, resisting every attempt at communication and impervious to all conventional weapons everywhere but a single vulnerable point…this is a familiar scenario to most of my readers, n’est-ce pas? Only I am not describing the Daleks. My subject is les Xipéhuz. The Daleks have been around for a long time—they were born the same year as me—but the Xipéhuz have been among us a good deal longer. Continue reading
In this archival podcast Scott Nicolay interviews CM Muller, editor & publisher of the acclaimed new annual horror fiction journal Nightscript: An Anthology of Strange and Darksome Tales. It was recorded on October 27, 2015 and originally aired on October 28, 2015. This broadcast also includes bonus new content featuring a follow-up interview with CM Muller about the second issue of Nightscript released in September 2016.
This archival episode is available with new exclusive material here at This Is Horror . Subscribe at iTunes or Blubrry to make sure you don’t miss an episode.
Future episodes of The Outer Dark will be hosted by This Is Horror.
We’re also in the process of remixing and re-posting all archival episodes.
In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.
Subscribe to the RSS Feed here.
Please consider giving at This Is Horror’s Patreon page, where donations support The Outer Dark and the This Is Horror Podcast.
Thank you to This Is Horror for this exciting opportunity!
“We must make friends with the many-tentacled alien idea.”
—John H. Lienhard, “Medicine and Maggots”
Hardly a week goes by without at least one reference to John Carpenter’s 1982 masterpiece The Thing appearing in my Facebook feed. No other film has wound its way so deeply into the collective psyche of the quirky amorphous Weird Fiction community that comprises the largest single segment of my social network. Although Carpenter’s film is essentially a science fiction film in its elements and a work of horror in its structure, a powerful consensus clearly exists that it constitutes the finest and purest exemplar of The Weird in cinema. Interestingly its closest rivals to this title, Alien (1979) and Phase IV (1974), are also science fiction/horror hybrids. This aspect of The Weird’s manifestation on the screen deserves further exploration…but not right now, not while we have other dark fissures to explore. Continue reading