Scott Nicolay

Ana Kai Tangata

Tag: Toronto

Helen Marshall: Lessons in the Raising of the Monsters in the Basement | The Outer Dark: Episode 26 — JANUARY 5, 2016

Boy Eating

Boy Eating

Awards seem to come naturally, or perhaps supernaturally to Helen Marshall whose words weave threads across horror, dark fantasy and into the Weird. Her most recent collection Gifts for the One Who Comes After (ChiZine Publications, 2014) earned her both a World Fantasy Award and a Shirley Jackson Award, and is shortlisted for the ReLit Awards which honor the best new works from Canadian independent publishers. Her first collection Hair Side Flesh Side (ChiZine Publications, 2012) won the British Fantasy Sydney J Bounds Award for Best Newcomer.

Helen traces her transition from small town Ontario to poet to a PhD in Medieval Studies to managing editor for ChiZine Publications to short story writer and now novelist (she hopes to finish her first novel Icarus Kids, which draws on her Medievalist background and explores “plague, denial and apocalypse” this week). She also discusses how the writing community sustains her work, a certain unencumbered freedom in current Canadian spec-lit, and the strong indie press movement in Canada including ChiZine and Undertow Publications. References are made to Robert Aickman including Helen’s unexpected fondness for his story “The Swords” and a shared philosophy of endings, as well as Clive Barker, Stephen King, Etgar Keret

Boy Eating

Boy Eating

and Gabriel Garcia Marquez. Helen takes us on a wild ride, peeling back the skin of her imagination including playing with the “rules” of genre, the capaciousness of the Weird, the strange economy of medieval relics, where magic realism and absurdism and medievalism intersect, and how personal transitions provoked her to engage the “monster in the basement” of her second collection: Legacy. They delve deeply into the archaeology of specific stories including “Sanditon” which plays off the concept of “body as book” in Medieval lit, “Ship House” which explores a legacy of violence inherited from her South African mother, her recurring theme of offbeat consumerism meets a childish sense of make-believe turned disturbingly real in such tales as “Supply Limited, Act Now” about kids in an idyllic Bradburyesque community who order a shrink ray that works, and more. Finally, Helen recommends Indian author Indra Das (The Devourers), recent The Outer Dark guest Gemma Files (especially her recent novel Experimental Film), and Nina Allan (The Race).

News from the Weird: Arkham Digest columnist/Strange Aeons fiction editor Justin Steele reviews a weird work from the Vault, Matt Cardin’s Divinations of the Deep (Ash-Tree Press, 2002), an excellent collection of five cosmic horror stories that may lurk just outside the radar of some readers recently discovering the Weird.

Then Mike Davis, editor of Lovecraft eZine, joins Scott and Justin again to talk about exciting Kickstarter stretch goals for his highly anticipated Autumn Cthulhu anthology and more. Plus two new fiction magazines and a major Weird market now reopened to submissions, as well as another author reveal from the much anticipated Lost Signals anthology (ed. Max Booth III/Perpetual Motion Machine Press).

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes  or Blubrry to make sure you don’t miss an episode.

Next week’s guest: Rios de la Luz, author of The Pulse Between Dimensions and the Desert.

More links:

https://www.facebook.com/gamutmagazine/?fref=ts

http://whatdoesnotkillme.com/2015/12/22/gamut/

https://www.facebook.com/mantidmagazine/?pnref=lhc

http://mantidmagazine.tumblr.com/

Nightscript: https://chthonicmatter.wordpress.com/

Stories from the Borderland: http://scottnicolay.com/blog/

Gemma Files: Every Movie Is a Ghost Story | The Outer Dark: Episode 15 — OCTOBER 13, 2015

Gemma Files goes behind the lens of her new standalone horror novel Experimental Film, its roots in her background as a film critic who has seen more than 5000 movies, the difference between horror in cinema and horror literature, Stephen King, Peter Straub and Clive Barker, the hyper-reality of anything that happens behind the camera, her ongoing fascination with found footage narrative, why inside every movie is a ghost story, the aftertaste of Candyman and swimming deep into Lake Mungo, why she likes people who are monsters, accepting the monster inside herself and writing the monster, how the experience of raising an autistic son and discovering a shared language with him using music and movies has contributed to her own growth and work, why we are attracted to certain narratives and stories, personal narratives and the survival imperative of reframing one’s own narrative versus “collapsing to no one,” her tendency to set stories in war zones and the end of days as not an end but a transformation, moments of transfiguration and decision, crafting language in narrative, rap music, minute details of historical fashion, the unlikely genesis of her Weird western Hexslinger trilogy, opening oneself up to diversity and letting LBGT and culturally diverse characters speak for themselves, why she decided to write deliberatively about women, “Grave Goods,” her story in the upcoming Autumn Cthulhu from Lovecraft eZine about an all-women archaeological dig including a transgender character, how H.P. Lovecraft’s legacy today is to be subverted and how she approached writing for two all-female Lovecraft-themed anthologies, and her current reading recommendations including John Connolly’s short stories, The Book of Lost Things and his Charlie Parker noir novels, which she says are “totally horror” and “make it look effortless,” Adam Nevill, whose most recent book is No One Gets Out Alive and whom she says is ‘the real deal”—”so good and so vicious and so layered and beautifully, beautifully detailed” —and Shirley Jackson Award-winning author Helen Marshall—”My God she can write!”

News From the Weird

Arkham Digest’s Justin Steele joins The Outer Dark as resident reviewer to discuss Gemma Files’ latest novel, Experimental Film.

Birthday Hair sm

Guest Bio:

Former film critic and teacher Gemma Files won the 1999 International Horror Guild short fiction award for her story “The Emperor’s Old Bones,” which appears in her collection The Worm in Every Heart. Both it and her earlier collection, Kissing Carrion, feature stories adapted into episodes of The Hunger, an anthology TV show produced by Ridley and Tony Scott. Her first novel, A Book of Tongues: Volume One of the Hexslinger Series (ChiZine Publications), won a DarkScribe Magazine Black Quill award for “Best Small Press Chill” in both the Editor’s and Readers’ Choice categories. A Rope of Thorns (2011) and A Tree of Bones (2012) complete the trilogy. She is also the author of We Will All Go Down Together: Stories of the Five-Family Coven. Her latest novel, Experimental Film, was released in November 2015 and .

Buy Tramadol is an analgesic that belongs to the list of potent narcotic drugs.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.

More Links:

http://www.innsmouthfreepress.com/blog/books/she-walks-in-shadows/

https://www.indiegogo.com/projects/dreams-from-the-witch-house-women-of-lovecraft#/

Next week’s guest: Dwayne Olson of Fedogan & Bremer Press discusses the authoritative new two-CD audio release of H.P. Lovecraft‘s sonnet cycle Fungi From Yuggoth.

© 2020 Scott Nicolay

Theme by Anders NorenUp ↑