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Will Ludwigsen: Decruiting the Normal | The Outer Dark: Episode 32 — FEBRUARY 25, 2016

ludwigsen-insearchof-coverWill Ludwigsen discusses his acclaimed collection In Search Of and Others (Lethe Press), which was a Shirley Jackson Awards finalist and named by Kirkus Reviews as one of the best books released in 2013. The conversation delves deep into the stories and his writing process including utilizing Charles Fort as a character, childhood misconceptions about the Boy Scouts, why he likes his characters (yes, even Charles Fort!) to be “unprepared for the strange,” Han Solo in a supermarket, the ironic back-to-back juxtaposition of In Search Of and Arthur C. Clarke’s Mysterious World, growing up before the Internet and the things that made him a “weirdo,” the closest he has personally come to a Fortean experience at age 14, spiritualism and theosophy, nosiness and breaking into abandoned buildings, the assets of novellas, the challenge of “teaching faith in form” to creative writing college students, writing as fishing, attending Clarion in the same cohort as Livia Llewellyn, Robert Levy and Lethe Press publisher Steve Berman, how there is “a little bit of a hoaxer in every good horror writer,” and his bright future, with Scott, as a “decruiter.” Plus his finished young adult novel which he describes as “The West Wing Meets Back to the Future,” future novels and stories that defy expectations, his gratitude for the Weird and why it’s not accidental that he’s writing Weird fiction, a favorite Shirley Jackson story, and a reading of the title story “In Search Of.” His recommended authors include Peter Dubé, Jennifer McMahon, nonfiction memoir My Father the Pornographer by Chris Offutt and rediscovering John D. McDonald who may have been a bigger influence on Stephen King than any horror author.

royle-regicideNews From the Weird: Justin Steele reviews Regicide by British Weird author Nicholas Royle (Solaris Books, 2011). Plus The Outer Dark’s win as Best Podcast in the 2015 This is Horror Awards, the complete roster of winners, more cover reveals and collection announcements from Word Horde and Undertow Publications, and Strange Aeons magazine news.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.

Next week’s guests: Double the Weird with Mike Allen, author of Unseaming and the forthcoming collection The Spider Tapestries, AND Nicole Kornher-Stace, author of The Archivist Wasp.

Please vote for The Outer Dark in the People’s Choice Project iRadio Podcast Awards. Deadline: Feb. 26! http://www.projectiradio.com/podcast-awards/

Order The Outer Dark T-shirts at SkurvyInk: http://skurvyink.com/products/outerdark-shirt

More Links:

http://www.lethepressbooks.com/store/p111/In_Search_Of_and_Others.html

Can anyone advise me if Levitra 20mg really is that safe?

Weird Fiction Review Interview with Will: http://weirdfictionreview.com/2013/02/interview-will-ludwigsen-and-the-weird/

fortCharles Fort biography: http://www.amazon.com/Charles-Fort-The-Invented-Supernatural/dp/1585426407

The Whisperer in the Darkness (film): http://www.cthulhulives.org/whisperer/trailer.html

Venture Brothers Bigfoot episode clip: https://www.youtube.com/watch?v=fcyCQT-FKCA

http://www.thisamericanlife.org/radio-archives/episode/199/house-on-loon-lake

Shirley Jackson: http://www.pages.drexel.edu/~ina22/+301/hnrs301-text-Intoxicated.html

News From the Weird:

http://www.theparisreview.org/interviews/2819/the-art-of-fiction-no-91-alain-robbe-grillet

Show credits:

Host/Executive Producer: Scott Nicolay

Co-Host, News From the Weird/Producer: Justin Steele

Associate Producer/Show Notes/Publicist: Anya Martin

Logo Design: Nick “The Hat” Gucker

Music: Michael Griffin

Helen Marshall: Lessons in the Raising of the Monsters in the Basement | The Outer Dark: Episode 26 — JANUARY 5, 2016

Boy Eating

Boy Eating

Awards seem to come naturally, or perhaps supernaturally to Helen Marshall whose words weave threads across horror, dark fantasy and into the Weird. Her most recent collection Gifts for the One Who Comes After (ChiZine Publications, 2014) earned her both a World Fantasy Award and a Shirley Jackson Award, and is shortlisted for the ReLit Awards which honor the best new works from Canadian independent publishers. Her first collection Hair Side Flesh Side (ChiZine Publications, 2012) won the British Fantasy Sydney J Bounds Award for Best Newcomer.

Helen traces her transition from small town Ontario to poet to a PhD in Medieval Studies to managing editor for ChiZine Publications to short story writer and now novelist (she hopes to finish her first novel Icarus Kids, which draws on her Medievalist background and explores “plague, denial and apocalypse” this week). She also discusses how the writing community sustains her work, a certain unencumbered freedom in current Canadian spec-lit, and the strong indie press movement in Canada including ChiZine and Undertow Publications. References are made to Robert Aickman including Helen’s unexpected fondness for his story “The Swords” and a shared philosophy of endings, as well as Clive Barker, Stephen King, Etgar Keret

Boy Eating

Boy Eating

and Gabriel Garcia Marquez. Helen takes us on a wild ride, peeling back the skin of her imagination including playing with the “rules” of genre, the capaciousness of the Weird, the strange economy of medieval relics, where magic realism and absurdism and medievalism intersect, and how personal transitions provoked her to engage the “monster in the basement” of her second collection: Legacy. They delve deeply into the archaeology of specific stories including “Sanditon” which plays off the concept of “body as book” in Medieval lit, “Ship House” which explores a legacy of violence inherited from her South African mother, her recurring theme of offbeat consumerism meets a childish sense of make-believe turned disturbingly real in such tales as “Supply Limited, Act Now” about kids in an idyllic Bradburyesque community who order a shrink ray that works, and more. Finally, Helen recommends Indian author Indra Das (The Devourers), recent The Outer Dark guest Gemma Files (especially her recent novel Experimental Film), and Nina Allan (The Race).

News from the Weird: Arkham Digest columnist/Strange Aeons fiction editor Justin Steele reviews a weird work from the Vault, Matt Cardin’s Divinations of the Deep (Ash-Tree Press, 2002), an excellent collection of five cosmic horror stories that may lurk just outside the radar of some readers recently discovering the Weird.

Then Mike Davis, editor of Lovecraft eZine, joins Scott and Justin again to talk about exciting Kickstarter stretch goals for his highly anticipated Autumn Cthulhu anthology and more. Plus two new fiction magazines and a major Weird market now reopened to submissions, as well as another author reveal from the much anticipated Lost Signals anthology (ed. Max Booth III/Perpetual Motion Machine Press).

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes  or Blubrry to make sure you don’t miss an episode.

Next week’s guest: Rios de la Luz, author of The Pulse Between Dimensions and the Desert.

More links:

https://www.facebook.com/gamutmagazine/?fref=ts

http://whatdoesnotkillme.com/2015/12/22/gamut/

https://www.facebook.com/mantidmagazine/?pnref=lhc

http://mantidmagazine.tumblr.com/

Nightscript: https://chthonicmatter.wordpress.com/

Stories from the Borderland: http://scottnicolay.com/blog/

Henry Lien: The Elegant Art of the Literary Duel | The Outer Dark: Episode 25 — DECEMBER 30, 2015

TODA25-Henry Lien The Elegant Art of the Literary Duel

There’s no one quite like Henry Lien in spec-lit today. He has generated major buzz with just six unique stories. His first published story ‘Pearl Rehabilitative Colony for Ungrateful Daughters’, which features “an art form that combines figure skating with kung fu”, made the cover of the December 2013 issue of Asimov’s Science Fiction (Henry even pitched cover artist Alexandra Manukyan) and went on to be a Nebula Award nominee. His latest, critically acclaimed ‘The Ladies’ Aquatic Gardening Society’ (Asimov’s, June 2015), perhaps his most distinctly Weird tale, is about two Gilded Age grandes dames dueling for Newport high society dominance via their increasingly outrageous and environmentally devastating theme gardens. On this episode of The Outer Dark, Henry pulls back the curtain on his creative process starting with the rigorous questions he asks himself before moving forward with an idea (0:03:00), diving into stories as “thought experiments”, putting pressure on his writing and matching concept with format, the importance of humor in “humanizing” and “bridging centuries and miles”, the potential for “wonder in modest concepts” and exploring them to their logical conclusion and how he pushes outside himself to tell stories from the viewpoint of girls and women. A self-described “one-man movie studio”, he also waxes enthusiastic about the joy he gets from indulging his multimedia muse including the “crazy fun” and “intense satisfaction” of handing a story over to an artist, voicing his characters in audio rendition, and even dabbling in writing music to accompany his stories. The madcap conversa

"Pearl Rehabilitative Colony for Ungrateful Daughters" (Cover story, Asimov's, Dec. 2013). Art by Alexandra Minukyan.

“Pearl Rehabilitative Colony for Ungrateful Daughters” (Cover story, Asimov’s, Dec. 2013). Art by Alexandra Manukyan.

tion touches upon all his stories from the two aforementioned tales (‘Pearl’, 0:14:45) (‘Ladies’, 1:01:30)to the simple, elegant, tragic ‘Supplemental Declaration of Henry Lien’ (Interfictions, Nov. 2015)(0:24:30) and the life-changing experience at its heart that propelled him into writing spec-lit, the poignant dolphin conservation advocacy tale ‘Bilingual’ (F&SF, March 2015) (0:34:55) told unexpectedly all via Twitter, ‘The Shadow You Cast Is Me’ (Lady Churchill’s Rosebud Wristlet, May 2015) (1:38:30) in which he explores the uncomfortable topic of a dysfunctional marriage, and ‘The Great Leap of Shin’ (Analog, Jan. 2015) (1:50:45). His Clarion West instructors Chuck Palahniuk and George RR Martin receive some heartfelt appreciation, “worlds that can be held in a pocket” are mused upon, and there’s a Karel Čapek interlude (1:17:00), plus ruminations on the rapidly diversifying audience for spec-lit, why Henry is done with short stories for the time-being, his just-completed novel which he says is “the best thing I have written”, why it’s OK to be proud of your stories, why he supports bringing back legal dueling to resolve world conflicts (1:51:30), his own ultimate duels, his ‘Radio SFWA’ recruitment anthem performed at the 2016 Nebula Awards (2:00:00), and his recommended living authors (2:05:20) James Robert Herndon

Bilingual-CarolineSirounian2

“Bilingual” (F&SF, March 2015), art by Caroline Sirounian.

and Lian Hearn.

News From the Weird

(2:13:10) With Arkham Digest columnist and Strange Aeons fiction editor Justin “Steely J” Steele. Reviews of two of the best weird fiction chapbooks of 2015: These Last Embers by Simon Strantzas, from Undertow Publications, and The Visible Filth by Nathan Ballingrud, from This is Horror.All day Levitra is great and works fine. Plus Scott and Justin look ahead to 2016, which promises to be another big year in the Weird including another author reveal from the table of contents of the much anticipated Lost Signals anthology (ed. Max Booth III/Perpetual Motion Machine Press).

This archival episode is available at This Is Horror here.

Additional Links

Caroline Sirounian

Kurt Huggins

‘Swim Wants to Know if it’s as Bad as Swim Thinks’ by Paul Tremblay

Sidecar Preservation Society

TheGreatLeapofShin-KurtHuggins2

“The Great Leap of Shin” (Analog, Jan. 2015). Art by Kurt Huggins.

Show credits

Host/Executive Producer: Scott Nicolay

Co-Host, News From the Weird: Justin Steele

Associate Producer/Show Notes: Anya Martin

Logo Design: Nick “The Hat” Gucker

Music: Michael Griffin

Stories From The Borderland #2: “The Shed” by E. Everett Evans

avonsfreader-evans

Evans didn’t even merit cover credit. The other stories from this issue are entirely forgotten.

A horror story about children can be especially disturbingSomething Wicked This Way Comes, IT, “The Specialist’s Hat.Throwing adults into unnatural peril is one thing—they at least can grasp their options, draw on support, choose to make sacrifices. Children are at once incredibly vulnerable yet charged with potential, so we fear more for them and the immense possibility of their futures than we do for the intrepid polar explorer, the graying antiquary, or the other interchangeable narrators of so many weird and gothic tales. How cruel the author who chooses children as protagonists in a narrative of weirdness and monsters. Continue reading

Old Weird, New Weird or Just Plain Weird? Panel at World Fantasy Convention 2015 | The Outer Dark: Special Presentation — NOVEMBER 13, 2015

November 7, 2015, World Fantasy Convention, Saratoga Springs, NY

Moderator: Thomas F. Monteleone. Panelists: Ellen Datlow, Michael Kelly, Anya Martin, Maura McHugh, Scott Nicolay

Description: When and where do they converge and converse?

weirdpanel-wfc2015Writers and editors discuss the roots and history of Weird fiction back to Weird Tales, 19th century authors and even The Iliad, editors’ perspectives on the Weird in their own work experiences, the Weird tale as independent of tropes, early definitions of the Weird by Le Fanu as a gothic supernatural tale and Lovecraft as dread-ridden cosmic horror, its evolution to an increasingly fluid and open vision and variety in the explosion of Weird fiction today, tapping into the strangeness of reality and the element of the unexplained but why not all odd stories are weird stories, where Weird tapers and becomes surreal, whether Weird fiction needs darkness as an ingredient and when fantasy and science fiction becomes Weird, writer Gemma Files’ suggestion from the audience that the nuance may lie in how the characters react to the Weird in the story, scares versus unease, David Lynch as Weird filmmaker, why keeping a wide open definition is better for nurturing the Weird, a peek inside the editorial process behind The Year’s Best Weird Fiction and the value of changing editors every year, the growing interest in the weird outside the spec-lit community and the upcoming Wave from Hollywood and mainstream publishing, a possible danger in letting the outside world define the weird, keeping the door open as long as we can, the role of the small presses in driving the Weird explosion, Weird as a pre-existing condition, Weird fiction in the novel form, the future of Weird fiction, the recurring theme in weird fiction of the environment rising up including when the environment is a house, when ghost stories can be weird stories, the etymology of the word “Weird” in the Anglo-Saxon “Wyrd” and its many connotations including fate/destiny/transformation, why the word “Weird” is Weird itself, following the River to an inevitable destiny versus appeal of unpredictability to the reader, Jack Spicer’s Martian, and many, many recommended authors from the 19th century to now.

However, as these drugs cause addiction and their action becomes less expressed, Tramadol 100mg is just a step between the NSAIDs and narcotic analgesics.

Thanks to Stephen Barringer for the panel photo.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.

More links:

http://borderlandspress.com/

http://www.hplovecraft.com/writings/texts/essays/shil.aspx

http://weirdfictionreview.com/2011/11/dogme-2011-for-weird-fiction-by-scott-nicolay/

http://weirdfictionreview.com/2014/11/the-expanding-borders-of-area-x/

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