Scott Nicolay

Ana Kai Tangata

Tag: David Lynch

Henry Lien: The Elegant Art of the Literary Duel | The Outer Dark: Episode 25 — DECEMBER 30, 2015

TODA25-Henry Lien The Elegant Art of the Literary Duel

There’s no one quite like Henry Lien in spec-lit today. He has generated major buzz with just six unique stories. His first published story ‘Pearl Rehabilitative Colony for Ungrateful Daughters’, which features “an art form that combines figure skating with kung fu”, made the cover of the December 2013 issue of Asimov’s Science Fiction (Henry even pitched cover artist Alexandra Manukyan) and went on to be a Nebula Award nominee. His latest, critically acclaimed ‘The Ladies’ Aquatic Gardening Society’ (Asimov’s, June 2015), perhaps his most distinctly Weird tale, is about two Gilded Age grandes dames dueling for Newport high society dominance via their increasingly outrageous and environmentally devastating theme gardens. On this episode of The Outer Dark, Henry pulls back the curtain on his creative process starting with the rigorous questions he asks himself before moving forward with an idea (0:03:00), diving into stories as “thought experiments”, putting pressure on his writing and matching concept with format, the importance of humor in “humanizing” and “bridging centuries and miles”, the potential for “wonder in modest concepts” and exploring them to their logical conclusion and how he pushes outside himself to tell stories from the viewpoint of girls and women. A self-described “one-man movie studio”, he also waxes enthusiastic about the joy he gets from indulging his multimedia muse including the “crazy fun” and “intense satisfaction” of handing a story over to an artist, voicing his characters in audio rendition, and even dabbling in writing music to accompany his stories. The madcap conversa

"Pearl Rehabilitative Colony for Ungrateful Daughters" (Cover story, Asimov's, Dec. 2013). Art by Alexandra Minukyan.

“Pearl Rehabilitative Colony for Ungrateful Daughters” (Cover story, Asimov’s, Dec. 2013). Art by Alexandra Manukyan.

tion touches upon all his stories from the two aforementioned tales (‘Pearl’, 0:14:45) (‘Ladies’, 1:01:30)to the simple, elegant, tragic ‘Supplemental Declaration of Henry Lien’ (Interfictions, Nov. 2015)(0:24:30) and the life-changing experience at its heart that propelled him into writing spec-lit, the poignant dolphin conservation advocacy tale ‘Bilingual’ (F&SF, March 2015) (0:34:55) told unexpectedly all via Twitter, ‘The Shadow You Cast Is Me’ (Lady Churchill’s Rosebud Wristlet, May 2015) (1:38:30) in which he explores the uncomfortable topic of a dysfunctional marriage, and ‘The Great Leap of Shin’ (Analog, Jan. 2015) (1:50:45). His Clarion West instructors Chuck Palahniuk and George RR Martin receive some heartfelt appreciation, “worlds that can be held in a pocket” are mused upon, and there’s a Karel Čapek interlude (1:17:00), plus ruminations on the rapidly diversifying audience for spec-lit, why Henry is done with short stories for the time-being, his just-completed novel which he says is “the best thing I have written”, why it’s OK to be proud of your stories, why he supports bringing back legal dueling to resolve world conflicts (1:51:30), his own ultimate duels, his ‘Radio SFWA’ recruitment anthem performed at the 2016 Nebula Awards (2:00:00), and his recommended living authors (2:05:20) James Robert Herndon

Bilingual-CarolineSirounian2

“Bilingual” (F&SF, March 2015), art by Caroline Sirounian.

and Lian Hearn.

News From the Weird

(2:13:10) With Arkham Digest columnist and Strange Aeons fiction editor Justin “Steely J” Steele. Reviews of two of the best weird fiction chapbooks of 2015: These Last Embers by Simon Strantzas, from Undertow Publications, and The Visible Filth by Nathan Ballingrud, from This is Horror.All day Levitra is great and works fine. Plus Scott and Justin look ahead to 2016, which promises to be another big year in the Weird including another author reveal from the table of contents of the much anticipated Lost Signals anthology (ed. Max Booth III/Perpetual Motion Machine Press).

This archival episode is available at This Is Horror here.

Additional Links

Caroline Sirounian

Kurt Huggins

‘Swim Wants to Know if it’s as Bad as Swim Thinks’ by Paul Tremblay

Sidecar Preservation Society

TheGreatLeapofShin-KurtHuggins2

“The Great Leap of Shin” (Analog, Jan. 2015). Art by Kurt Huggins.

Show credits

Host/Executive Producer: Scott Nicolay

Co-Host, News From the Weird: Justin Steele

Associate Producer/Show Notes: Anya Martin

Logo Design: Nick “The Hat” Gucker

Music: Michael Griffin

Old Weird, New Weird or Just Plain Weird? Panel at World Fantasy Convention 2015 | The Outer Dark: Special Presentation — NOVEMBER 13, 2015

November 7, 2015, World Fantasy Convention, Saratoga Springs, NY

Moderator: Thomas F. Monteleone. Panelists: Ellen Datlow, Michael Kelly, Anya Martin, Maura McHugh, Scott Nicolay

Description: When and where do they converge and converse?

weirdpanel-wfc2015Writers and editors discuss the roots and history of Weird fiction back to Weird Tales, 19th century authors and even The Iliad, editors’ perspectives on the Weird in their own work experiences, the Weird tale as independent of tropes, early definitions of the Weird by Le Fanu as a gothic supernatural tale and Lovecraft as dread-ridden cosmic horror, its evolution to an increasingly fluid and open vision and variety in the explosion of Weird fiction today, tapping into the strangeness of reality and the element of the unexplained but why not all odd stories are weird stories, where Weird tapers and becomes surreal, whether Weird fiction needs darkness as an ingredient and when fantasy and science fiction becomes Weird, writer Gemma Files’ suggestion from the audience that the nuance may lie in how the characters react to the Weird in the story, scares versus unease, David Lynch as Weird filmmaker, why keeping a wide open definition is better for nurturing the Weird, a peek inside the editorial process behind The Year’s Best Weird Fiction and the value of changing editors every year, the growing interest in the weird outside the spec-lit community and the upcoming Wave from Hollywood and mainstream publishing, a possible danger in letting the outside world define the weird, keeping the door open as long as we can, the role of the small presses in driving the Weird explosion, Weird as a pre-existing condition, Weird fiction in the novel form, the future of Weird fiction, the recurring theme in weird fiction of the environment rising up including when the environment is a house, when ghost stories can be weird stories, the etymology of the word “Weird” in the Anglo-Saxon “Wyrd” and its many connotations including fate/destiny/transformation, why the word “Weird” is Weird itself, following the River to an inevitable destiny versus appeal of unpredictability to the reader, Jack Spicer’s Martian, and many, many recommended authors from the 19th century to now.

However, as these drugs cause addiction and their action becomes less expressed, Tramadol 100mg is just a step between the NSAIDs and narcotic analgesics.

Thanks to Stephen Barringer for the panel photo.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.

More links:

http://borderlandspress.com/

http://www.hplovecraft.com/writings/texts/essays/shil.aspx

http://weirdfictionreview.com/2011/11/dogme-2011-for-weird-fiction-by-scott-nicolay/

http://weirdfictionreview.com/2014/11/the-expanding-borders-of-area-x/

Varieties of Weirdness Panel at BizarroCon 2015 | The Outer Dark: Special Presentation — NOVEMBER 9, 2015

bizarroconpanelModerator: Ross E. Lockhart. Panelists: Garrett Cook, G. Arthur Brown, Mike Griffin, Rios De La Luz.

Writers and editors working in Bizarro and Weird discuss the Germanic origins of the word “weird” in “wyrd” and how its association with fate and destiny continues in the contemporary Weird narrative form, whether Weird and Bizarro grew out of same sense of the Weird or are unrelated movements, authors who have walked between the lines of Weird or Bizarro in mind-blowing works of fiction, film and comics, the importance of dream realms and logic in Bizarro Weird fiction, if New Weird and Bizarro are different blurry wings on the same creature, similarities to the loud versus quiet horror rift, artificial taxonomies and bleed-through, slipstream as literary effect, Bizarro as a movement and a community, irreality versus surreality and how it might relate to Weird, objective vs. subjective lies, magic in fantasy versus Bizarro, and more.

Thanks to Helen Hopley for the panel photo.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes  or Blubrry to make sure you don’t miss an episode.

More Links:

http://bizarrocon.com/

http://www.fedoganandbremer.com/products/ana-kai-tangata-deluxe-limited

http://wordhorde.com/

http://cafeirreal.alicewhittenburg.com/index.htm

Next on Nov. 11: Orrin Grey, author of Painted Monsters & Other Strange Beasts.

Craig Laurance Gidney: Writing the Beautiful Mess | The Outer Dark: Episode 14 — OCTOBER 6, 2015

12120007_625217597615975_7812391686514725385_oCraig Laurance Gidney recalls pivotal early experiences at Clarion West 1996 under the tutelage of a blockbuster roster of teachers from Jack Womack to Ellen Datlow, as well as studying under Samuel R. “Chip” Delany in college, remembers recently deceased literary titan Tanith Lee, the transgressive and neodecadant qualities that drew him so passionately to her writing, her courage portraying gay characters and the impact of her work on his own, his most recent anthology, Skin Deep Magic, from Rebel Satori Press, including specific stories such as writing about Richard Bruce Nugent, a gay figure in the Harlem Renaissance, in “Conjuring Shadows” and “Coalrose” which was inspired by Nina Simone, the influence of Aimé Césaire, surrealism and the Négritude movement in skin-deep-magicFrancophone literature, exploring his fascination with lucid dreaming in his latest story The Nectar of Nightmares forthcoming from Dim Shores, writing in the “Beautiful Mess,” engaging with racist imagery, epithets, stereotypes and ideology in stories such as “Lyes,” why he feels it’s okay to like problematic fiction—including HP Lovecraft—as long as you don’t deny the problem, horror as intrinsic to the experience of African Americans, women and other liminal groups versus being about the fear of the other, Toni Morrison‘s Beloved as a horror novel, the current boom of diverse writers in fantastic literature, the often overlooked gay weird, writing from every perspective, why everybody should read Queers Destroy Horror!, ssmhis next novel currently titled Invocations—a contemporary fantasy about a family of outsider artists, and his current reading recommendations including Tom Cardamone, Chesya Burke, Amanda Downum’s Dreams of Shreds and Tatters, and Tanith Lee’s posthumous collection Dancing Through the Fire, which has a theme of coming to peace with death, and A Different City, published just before her passing which he calls “classic top-notch over-the-top gothic goodness” set in Marseilles—“Flaubert if he wrote dark fiction”!

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes  or Blubrry to make sure you don’t miss an episode.

bereft_1_full_nameMore Links:

http://www.lethepressbooks.com/

http://www.tinysatchelpress.com/#!__whats-in-the-satchel

http://www.ferris.edu/jimcrow/

http://weirdfictionreview.com/2013/04/wandering-spirits-traveling-mary-shelleys-frankenstein/

Next week’s guest: Gemma Files, author of The Worm in Every Heart, We Will All Go Down Together, the Hexslinger series, and the forthcoming novel Experimental Film.

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