Scott Nicolay

Ana Kai Tangata

Tag: cyberpunk

Stories from the Borderland #17: “Hippie Hat Brain Parasite” by William Gibson

“I’d called my slab ‘science fiction,’ but the art I’d cultivate would be the art of interstice, burrowing from surface to previously unconnected surface, through the waiting wealth of weirdness I sensed between those surfaces.”
—William Gibson, blog post Jan. 8, 2003

With special thanks to Edward Austin Hall, Marc Laidlaw, and especially Lewis Shiner for their invaluable support and assistance…

By now it should be obvious to readers of this series that science fiction is a virtual cornucopia of only loosely camouflaged great Weird Fiction. Without its own literary ecosystem to occupy during the previous century, The Weird quietly, patiently extended its mycelia beneath the leaf-littered forest floors of science fiction, fantasy, and mainstream modes alike, infiltrating their various oΐkoi with utter disregard for critical taxonomy. Now that its fruiting bodies are bursting forth all around us in a Weird Renaissance, we can finally take some measure of its full expanse. Here at Stories from the Borderland we specialize in spotting and plotting those loci where weirdness has long since spread beneath the surface, and we work like tireless truffle pigs, snuffling up the treasures we deliver you on our finest silver serving ware. This week’s fungal entrée comes your way with a side of brains. Continue reading

Garrett Cook: Narrative Tyranny and the Gilawalrus in the Living Room | The Outer Dark: Episode 28 — JANUARY 21, 2016

Cook-HungryWallsGarrett Cook discusses his latest novel A God of Hungry Walls, an extreme, brutally transgressive and claustrophobic haunted house tale that not only pushes the limits of Bizarro but provides the latest twist on a lineage of “malevolent genius loci” that starts with Shirley Jackson’s The Haunting of Hill House. Twisted topics include the influence of “growing up in a grim and antiquated place,” i.e. New England, his commitment to make each story “really different,” literary and cinematic influences from Robert Marasco’s Burnt Offerings to Clive Barker’s Coldheart Canyon, uncomfortable intimacy among roommates, using narrative to invoke an unpleasant hypnotic state, his poetry roots, Dante (yes, that Dante), existential psychosis that doesn’t trace back to anything, avoiding haunted house story tropes such as the psychic, the microfiche research scene, the occult detective and the Scooby Doo ending, a Nouveau Roman approach that makes the novel seem like Jack Ketchum’s Last Spring at Marienbad,” the tyrannical nature of surrealism versus Bizarro’s narrative omnipotence, Jeff Burk’s couch, and bench-switching and writing in his own swan spot. Garrett also talks about some of his other works, including his first novel Murderland, his first foray into Bizarro Archelon Ranch, his intentionally historically inaccurate science fiction novel Time Pimp, and his short story collection You Might Just Make It Out of This Alive (Eraserhead Press).

widenerThe conversation then veers to the relationship between weird and Bizarro and Bizarro Central’s New Bizarro Author Series, which Garrett edited, including Karl Fischer’s Towers, Betty Rocksteady’s Arachnophile, Madeleine Swan’s Rainbows Suck, Chris MeekingsElephant Vice, Anthony Trevino’s King Space Void, Christoph Paul’s Slasher Camp for Nerd Dorks, Pedro Proença’s Benjamin and Lee Widener’s Rock n Roll Head Case, which Garrett calls the “absolute buy-ticket-and-ride” of the series or “Bill Plimpton’s Laser Blast.” He also “screams” about Autumn Christian, Danger Slater, and John Skipp, who is publishing them both via his Fungasm Press, a groundbreaking new imprint from Eraserhead. Finally: Garrett’s new performance series in Portland, Ore., Gilbert Road Grotesque, co-hosted by Alicia Graves, and hats.

furnace_cover_sm-662x1024News from the Weird:. Arkham Digest columnist/Strange Aeons fiction editor Justin Steele joins Scott once again with the latest about Livia Llewellyn, Richard Gavin, Xnoybis 2, Nightscript 2, Lost Signals, and more. Then special guest Michael Griffin unveils The Lure of Devouring Light, his much-anticipated first collection, now available for preorder from Word Horde Press and scheduled for release in April 2016. And Justin reviews Christopher Slatsky’s Alectryomancer and Other Weird Tales (Dunhams Manor Press).

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes  or Blubrry to make sure you don’t miss an episode.

Next week’s guest: Mark Shapiro, marketing/brand management at Laika Studios (ParaNorman, Coraline) talks about this innovative stop-motion animation house’s upcoming release Kubo and the Two Strings.

More Links:

http://www.amazon.com/Autumn-Christian/e/B006QJ5USQ

http://www.theionpublishing.com/books/the-benighted-path-primeval-gnosis-and-the-monstrous-soul/

Craig Laurance Gidney: Writing the Beautiful Mess | The Outer Dark: Episode 14 — OCTOBER 6, 2015

12120007_625217597615975_7812391686514725385_oCraig Laurance Gidney recalls pivotal early experiences at Clarion West 1996 under the tutelage of a blockbuster roster of teachers from Jack Womack to Ellen Datlow, as well as studying under Samuel R. “Chip” Delany in college, remembers recently deceased literary titan Tanith Lee, the transgressive and neodecadant qualities that drew him so passionately to her writing, her courage portraying gay characters and the impact of her work on his own, his most recent anthology, Skin Deep Magic, from Rebel Satori Press, including specific stories such as writing about Richard Bruce Nugent, a gay figure in the Harlem Renaissance, in “Conjuring Shadows” and “Coalrose” which was inspired by Nina Simone, the influence of Aimé Césaire, surrealism and the Négritude movement in skin-deep-magicFrancophone literature, exploring his fascination with lucid dreaming in his latest story The Nectar of Nightmares forthcoming from Dim Shores, writing in the “Beautiful Mess,” engaging with racist imagery, epithets, stereotypes and ideology in stories such as “Lyes,” why he feels it’s okay to like problematic fiction—including HP Lovecraft—as long as you don’t deny the problem, horror as intrinsic to the experience of African Americans, women and other liminal groups versus being about the fear of the other, Toni Morrison‘s Beloved as a horror novel, the current boom of diverse writers in fantastic literature, the often overlooked gay weird, writing from every perspective, why everybody should read Queers Destroy Horror!, ssmhis next novel currently titled Invocations—a contemporary fantasy about a family of outsider artists, and his current reading recommendations including Tom Cardamone, Chesya Burke, Amanda Downum’s Dreams of Shreds and Tatters, and Tanith Lee’s posthumous collection Dancing Through the Fire, which has a theme of coming to peace with death, and A Different City, published just before her passing which he calls “classic top-notch over-the-top gothic goodness” set in Marseilles—“Flaubert if he wrote dark fiction”!

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes  or Blubrry to make sure you don’t miss an episode.

bereft_1_full_nameMore Links:

http://www.lethepressbooks.com/

http://www.tinysatchelpress.com/#!__whats-in-the-satchel

http://www.ferris.edu/jimcrow/

http://weirdfictionreview.com/2013/04/wandering-spirits-traveling-mary-shelleys-frankenstein/

Next week’s guest: Gemma Files, author of The Worm in Every Heart, We Will All Go Down Together, the Hexslinger series, and the forthcoming novel Experimental Film.

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