Scott Nicolay

Ana Kai Tangata

Tag: Cosmic Horror (page 2 of 5)

Simon Strantzas: The World Through a Dark Lens | The Outer Dark: Episode 30 — FEBRUARY 8, 2016

Strantzas-BBSAuthor/editor Simon Strantzas returns to discuss the reissue of his Shirley Jackson Award-nominated 2015 collection Burnt Black Suns in a leather-bound special edition by Dark Regions Press, generational shifts and rising momentum/progression in the Weird Renaissance, readers who evolve into editors and publishers such as Justin Steele and Sam Cowan (Dim Shores), theme/atmosphere and composing his earlier collections Beneath the Surface, Cold to the Touch and Nightingale Songs, scientific fieldwork as a story topic, the landmark editing of Joe Pulver and phenomenal weird/fabulist writing of Helen Marshall, the art of public reading, the True Detective bump, the dynamic between the Aickmanesque Strange and the Weird, the journal Thinking Horror which he co-edits with sj bagley, taxonomy as applied to insects and literature, reading back to understand aickman1-200x300the tapestry of the genre and how to bend/twist/add to it in a different way, writing as a puzzle, the revolutionary force of T.E.D. Klein, creating/curating the unofficial Website of Terry Lamsley, the British quiet and ghost story renaissance in late 90s/early 2000s horror, other brilliant authors who have not published much lately such as Don Tumasonis and Matt Cardin, the intersection between Weird and Horror, evolving trends and fusion in Horror, collaborating with Michael Kelly on editing Year’s Best Weird Fiction 3, the importance of and challenges to featuring lesser known and diverse writers in collections, Aickman and Ligotti as two writers who (like Lovecraft) opened new territories, Stephen King and Peter Straub, his reading recommendations including Nadia Bulkin and Lynda E. Rucker, an Italian edition of Burnt Black Suns in Edizioni HypnosModern Weird series, and the globalization of the Weird.

splittonguesNews from the Weird: Arkham Digest columnist/Strange Aeons fiction editor Justin Steele and special guest Sam Cowan, editor/publisher of Dim Shores Press, join Scott for the latest news including more about the exciting line-up for Year’s Best Weird Fiction 3, what’s next with Dim Shores, Lovecraft eZine Press, Egaeus Press, Lost Signals, Gamut Magazine and a listener contest to win a free Garrett Cook book! Plus Justin reviews Split Tongues by Kristi DeMeester, Dim Shores’ fifth and latest chapbook.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.

Next week’s guest: Authors/editors Nisi Shawl and Cynthia Ward of the Writing the Other workshop and book.

Please vote for The Outer Dark in the People’s Choice Project iRadio Podcast Awards. https://www.projectiradio.com/podcast-awards/

Also there wasn’t anything like this in the Levitra precautions found online, but still that’s my health, and I don’t want to end up with heart attack or anything similar.

Strantzas-NightingaleMore Links:

https://www.projectiradio.com/s-j-bagley-and-simon-strantzas-thinking-horror-in-the-21st-century-before-and-beyond-the-outer-dark-episode-10-september-8-2015/

https://necronomicon-providence.com/enter/

Robert Dunnell, Systematics in Prehistory: https://www.amazon.com/Systematics-Prehistory-Robert-C-Dunnell/dp/1930665288

https://www.jethrolentle.com/

Show credits:

Host/Executive Producer: Scott Nicolay

Co-Host, News From the Weird/Producer: Justin Steele

Associate Producer/Show notes/Publicist: Anya Martin

Logo Design: Nick “The Hat” Gucker

Music: Michael Griffin

E. Elias Merhige: The Greatest Apple You’ll Ever Eat | The Outer Dark: Episode 29 — JANUARY 28, 2016

85307_4070_1433688357_413a0b In possibly the most mind-blowing episode to date, filmmaker E. Elias Merhige (Shadow of the Vampire) traces his path from the genesis of the acclaimed experimental film Begotten to its highly anticipated rebirth in definitive and alternate versions on 35mm and Blu-ray in the near future. He explores and dissects his cinematic vision in the context of a shared interest with the Weird to push boundaries to create beautiful, powerful and terrifying works, recounts his first epiphanal encounters with Nietzsche and Artaud and the birth of his obsession with “art that actually lives,” relates his own creative process to a form of possession culminating in a volcanic eruption, transports listeners back to the life-changing screening of Begotten in Susan Sontag’s New York apartment when he was just age 25, discusses the fertile artistic nexus in the early-to-mid 20th century with surrealism, Dadaism and expressionism, muses on the artist/writer/filmmaker as our culture’s shamans, gets passionate about cinema as alchemy and Shadow1creating film emulsions that act as a lens for exploring meaning, effuses about the CERN Collider (an example of how now there is “more going on in science and biotech than in most art galleries”) and photographs as “life forms,” discusses why he feels more freedom working with lower film budgets, talks about the joy he gets from conversations with his creative contemporaries and his excitement in connecting with the Weird community, draws back the curtains on a beautiful back story involving John Malkovich, cocktail napkins and the powerful train scene in Shadow of the Vampire, provides an eclectic playlist of the music that drives his creativity (Wagner, Iggy Pop, John Cage, Nurse With Wound, Diamanda Galas, Stuart Dempster, and many more) and reveals an intriguing roll of artists, authors, poets and filmmakers who have served as his biggest influences and provocateurs from Homer to Baudelaire, Bely to Ligotti.

The conversation concludes with what’s next for Merhige including making the final feature-length installment of the trilogy that started with Begotten, writing a new film script which relates the Hiroshima bombing through the eyes of schoolchildren, editing the second draft of his first 900-page novel, and culminating with the restoration of Begotten. Included are exclusive announcements about the upcoming Kickstarter campaign for Begotten’s restoration and dynamic details about the endeavor which go beyond your wildest imagination. As Merhige says, ”some exciting shit, my friend.”

throatsprockNews from the Weird:. Arkham Digest columnist/Strange Aeons fiction editor Justin Steele joins Scott for the latest news and a retro review of classic horror novel, Throat Sprockets (1994), by Tim Lucas, editor/publisher of the venerable Video Watchdog. The book was inspired by cinema, has been described as “If JG Ballard wrote Dracula,” and was recommended by author Gemma Files.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes  or Blubrry to make sure you don’t miss an episode.

Next week’s guest: Simon Strantzas, author of Burnt Black Sons and editor of The Year’s Best Weird 3.

More Links:

https://en.wikipedia.org/wiki/E._Elias_Merhige

Begotten on IMDB: https://www.imdb.com/title/tt0101420/

https://en.wikipedia.org/wiki/Begotten

Din of Celestial Birds: https://www.youtube.com/watch?v=XCnp63TbxXw

Suspect Zero trailer: https://www.youtube.com/watch?v=jJLYRnHk8AE

Brian Jones Presents The Pipes of Pan at Joujouka: https://www.youtube.com/watch?v=LwEoDGeNyrE

https://en.wikipedia.org/wiki/The_Death_of_Virgil

https://en.wikipedia.org/wiki/Adalbert_Stifter

https://en.wikipedia.org/wiki/Der_Nachsommer

https://weirdfictionreview.com/2012/05/the-dissection/

News From the Weird:

https://vdarcangelo.wordpress.com/

https://perpetualpublishing.com/

https://chthonicmatter.wordpress.com/nightscript/

https://www.darkregions.com/books/new-releases/burnt-black-suns-by-simon-strantzas-deluxe-special-edition

Garrett Cook: Narrative Tyranny and the Gilawalrus in the Living Room | The Outer Dark: Episode 28 — JANUARY 21, 2016

Cook-HungryWallsGarrett Cook discusses his latest novel A God of Hungry Walls, an extreme, brutally transgressive and claustrophobic haunted house tale that not only pushes the limits of Bizarro but provides the latest twist on a lineage of “malevolent genius loci” that starts with Shirley Jackson’s The Haunting of Hill House. Twisted topics include the influence of “growing up in a grim and antiquated place,” i.e. New England, his commitment to make each story “really different,” literary and cinematic influences from Robert Marasco’s Burnt Offerings to Clive Barker’s Coldheart Canyon, uncomfortable intimacy among roommates, using narrative to invoke an unpleasant hypnotic state, his poetry roots, Dante (yes, that Dante), existential psychosis that doesn’t trace back to anything, avoiding haunted house story tropes such as the psychic, the microfiche research scene, the occult detective and the Scooby Doo ending, a Nouveau Roman approach that makes the novel seem like Jack Ketchum’s Last Spring at Marienbad,” the tyrannical nature of surrealism versus Bizarro’s narrative omnipotence, Jeff Burk’s couch, and bench-switching and writing in his own swan spot. Garrett also talks about some of his other works, including his first novel Murderland, his first foray into Bizarro Archelon Ranch, his intentionally historically inaccurate science fiction novel Time Pimp, and his short story collection You Might Just Make It Out of This Alive (Eraserhead Press).

widenerThe conversation then veers to the relationship between weird and Bizarro and Bizarro Central’s New Bizarro Author Series, which Garrett edited, including Karl Fischer’s Towers, Betty Rocksteady’s Arachnophile, Madeleine Swan’s Rainbows Suck, Chris MeekingsElephant Vice, Anthony Trevino’s King Space Void, Christoph Paul’s Slasher Camp for Nerd Dorks, Pedro Proença’s Benjamin and Lee Widener’s Rock n Roll Head Case, which Garrett calls the “absolute buy-ticket-and-ride” of the series or “Bill Plimpton’s Laser Blast.” He also “screams” about Autumn Christian, Danger Slater, and John Skipp, who is publishing them both via his Fungasm Press, a groundbreaking new imprint from Eraserhead. Finally: Garrett’s new performance series in Portland, Ore., Gilbert Road Grotesque, co-hosted by Alicia Graves, and hats.

furnace_cover_sm-662x1024News from the Weird:. Arkham Digest columnist/Strange Aeons fiction editor Justin Steele joins Scott once again with the latest about Livia Llewellyn, Richard Gavin, Xnoybis 2, Nightscript 2, Lost Signals, and more. Then special guest Michael Griffin unveils The Lure of Devouring Light, his much-anticipated first collection, now available for preorder from Word Horde Press and scheduled for release in April 2016. I have no erection, and am afraid that Levitra 20mg may be a problem. And Justin reviews Christopher Slatsky’s Alectryomancer and Other Weird Tales (Dunhams Manor Press).

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.

Next week’s guest: Mark Shapiro, marketing/brand management at Laika Studios (ParaNorman, Coraline) talks about this innovative stop-motion animation house’s upcoming release Kubo and the Two Strings.

More Links:

https://www.amazon.com/Autumn-Christian/e/B006QJ5USQ

https://www.theionpublishing.com/books/the-benighted-path-primeval-gnosis-and-the-monstrous-soul/

Rios de la Luz: Magical Surrealism, Martian Gemstones and Guardian Abuelas | The Outer Dark: Episode 27 — JANUARY 13, 2016

rios-pulseRios de la Luz explores the “inner workings that were happening in her brain” while writing her first collection The Pulse Between Dimensions and the Desert, and Scott’s suggestion that her stories resemble the Martian gemstones depicted within–each unique, energetic, fresh, multifaceted, and yet interconnected. Notions of magic realism, time travel, science fiction, Junot Diaz, Ray Bradbury, Lucius Shepard, Star Trek, Doctor Who, and her love of outer space and comic books, especially Los Bros Hernandez’s Love and Rockets, emerge, as well as working with her publisher Ladybox Books, a rising imprint of Broken River Books and being part of the dynamic small press community in Portland, Oregon. The discussion also explores diversity as a rising force in both authors and audience for spec-lit, including Rios’ identity as a “Latina-Chicana-Bruja” writer but “mostly just a strange brown girl,” as well as using Spanish to reset rhythm in her narratives, growing up in El Paso, discovering her favorite writer Sandra Cisneros and her passion for creating young characters like herself, including her excitement in seeing female, African and Guatemalan leads in Star Wars and a black Hispanic super-hero in Spider-Man Miles Morales. Another ever-present element in her writing is the guardian abuela, reflecting the importance of her grandmother and great grandmother to whom she says she “owes so much.” Also queer characters, the awkwardness of puberty (“Church Bush”), disappeared women, dead children (“La Reina”), her complicated feelings about borders and a short reading of her hauntingly beautiful story “Marigolds.Hey bros out there. For your own sake, don’t ever take two big Levitra Generic.” Finally, Rios talks about what’s next for her including flash fiction, zines, two horror stories, a bizarro tale and a novel, as well as recommending poet Yesika Salgado, aka Yesika Starr, fellow Ladybox Books author Meliza Bañales, aka Missy Fuego, and Vanessa Mártir.

10374457_627170827394930_3262260669077353846_nNews from the Weird: Ladybox Books Head Editor/Curator Constance Ann Fitzgerald joins Scott to talk more about this innovative women-run press/collective, how it got started, its exciting slate of “fiercely talented” authors, the rebirth of the zine and the current dynamic and label-defying small press scene.

 

Next week’s guest: Garrett Cook, author of You Might Just Make It Out of This Alive (Eraserhead Press)

11059843_737530326358979_7942642027074885308_nMore links:

Yesika’s Twitter: https://twitter.com/yesikastarr

https://www.autostraddle.com/hidden-gems-of-queer-lit-meliza-banales-life-is-wonderful-people-are-terrific-307618/

One of Meliza’s short stories: https://ladyboxbooks.com/2015/02/08/story-of-the-week-face-lift/#more-131

https://www.facebook.com/States-of-Terror-289014071299287/?fref=ts

News From the Weird:

https://ladyboxbooks.com/2014/09/27/ladybox-on-sale-october-15th/

The Punk Singer: https://www.youtube.com/watch?v=fwrXC5OXqgc

https://pioneerspress.com/

Helen Marshall: Lessons in the Raising of the Monsters in the Basement | The Outer Dark: Episode 26 — JANUARY 5, 2016

Boy Eating

Boy Eating

Awards seem to come naturally, or perhaps supernaturally to Helen Marshall whose words weave threads across horror, dark fantasy and into the Weird. Her most recent collection Gifts for the One Who Comes After (ChiZine Publications, 2014) earned her both a World Fantasy Award and a Shirley Jackson Award, and is shortlisted for the ReLit Awards which honor the best new works from Canadian independent publishers. Her first collection Hair Side Flesh Side (ChiZine Publications, 2012) won the British Fantasy Sydney J Bounds Award for Best Newcomer.

Helen traces her transition from small town Ontario to poet to a PhD in Medieval Studies to managing editor for ChiZine Publications to short story writer and now novelist (she hopes to finish her first novel Icarus Kids, which draws on her Medievalist background and explores “plague, denial and apocalypse” this week). She also discusses how the writing community sustains her work, a certain unencumbered freedom in current Canadian spec-lit, and the strong indie press movement in Canada including ChiZine and Undertow Publications. References are made to Robert Aickman including Helen’s unexpected fondness for his story “The Swords” and a shared philosophy of endings, as well as Clive Barker, Stephen King, Etgar Keret

Boy Eating

Boy Eating

and Gabriel Garcia Marquez. Helen takes us on a wild ride, peeling back the skin of her imagination including playing with the “rules” of genre, the capaciousness of the Weird, the strange economy of medieval relics, where magic realism and absurdism and medievalism intersect, and how personal transitions provoked her to engage the “monster in the basement” of her second collection: Legacy. They delve deeply into the archaeology of specific stories including “Sanditon” which plays off the concept of “body as book” in Medieval lit, “Ship House” which explores a legacy of violence inherited from her South African mother, her recurring theme of offbeat consumerism meets a childish sense of make-believe turned disturbingly real in such tales as “Supply Limited, Act Now” about kids in an idyllic Bradburyesque community who order a shrink ray that works, and more. Finally, Helen recommends Indian author Indra Das (The Devourers), recent The Outer Dark guest Gemma Files (especially her recent novel Experimental Film), and Nina Allan (The Race).

News from the Weird: Arkham Digest columnist/Strange Aeons fiction editor Justin Steele reviews a weird work from the Vault, Matt Cardin’s Divinations of the Deep (Ash-Tree Press, 2002), an excellent collection of five cosmic horror stories that may lurk just outside the radar of some readers recently discovering the Weird.

Then Mike Davis, editor of Lovecraft eZine, joins Scott and Justin again to talk about exciting Kickstarter stretch goals for his highly anticipated Autumn Cthulhu anthology and more. Plus two new fiction magazines and a major Weird market now reopened to submissions, as well as another author reveal from the much anticipated Lost Signals anthology (ed. Max Booth III/Perpetual Motion Machine Press).

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes  or Blubrry to make sure you don’t miss an episode.

Next week’s guest: Rios de la Luz, author of The Pulse Between Dimensions and the Desert.

More links:

https://www.facebook.com/gamutmagazine/?fref=ts

https://whatdoesnotkillme.com/2015/12/22/gamut/

https://www.facebook.com/mantidmagazine/?pnref=lhc

https://mantidmagazine.tumblr.com/

Nightscript: https://chthonicmatter.wordpress.com/

Stories from the Borderland: https://scottnicolay.com/blog/

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