Scott Nicolay

Ana Kai Tangata

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Nisi Shawl and Cynthia Ward: Midwifing the Other: Nurturing Diversity in Weird and Speculative Lit | The Outer Dark: Episode 31 — FEBRUARY 17, 2016

writingtheotherAuthors/editors Nisi Shawl and Cynthia Ward join Scott for a very special show focusing on diversity in Weird and speculative fiction. They start by recounting the story behind the origins of their Writing the Other workshop/book, its connections to Clarion West, the next set of upcoming online classes (March 13), its impact on spec-lit writers over its 25-year history, and their hopes for an updated book to reflect new language and examples. The conversation proceeds to positive directions with diverse characters, how writers need not to be afraid to write what they don’t know but they do need to research, the concept of “parallax” and W.E.B. DuBois, writing the other as a collaborative process, why treating equally or fairly doesn’t mean not seeing color, gender or other differences, rewarding examples of people who learned and gained courage from the Writing the Other program to increase Lost Trails Forgotten Tales of the Weird West Final Cover 6-26-2015their own representation of people of color as characters, teaching the “reptile brain,” the good example of Joe R Lansdale, and midwifing works by Sarah Smith and South African writer Nick Wood (Azanian Bridges. NewCon Press, Nov 2016). Cynthia and Nisi also talk about some of their own written and edited works. Cynthia discusses her edited anthology Lost Trails: Forgotten Tales of the Weird West, which features stories about non-white characters on the frontier, in the context of growing interest in the Weird Western in books, film and graphic novels, a second volume on the way, and several novels in progress, including Night Rising, the first in The Return of the Dark trilogy, an apocalyptic magic story set in Tucson which she calls a “cozy catastrophe.” Nisi reveals some of the back story about Stories for Chip: A Tribute to Samuel R. Delaney, which she co-edited with Bill Campbell (Rosarium Publishing), which has received everfairconsiderable praise, as well as contemplating her interaction with horror and exploring a different relation to death and the status quo in the African diaspora in her 2008 James Tiptree Jr.  Award-winning collection Filter House, confronting steampunk’s embedded imperialism in her upcoming Belgian Congo set novel Everfair (Tor, Sept. 2016), encountering ghosts in her middle grade novel Speculation, and much more. The conversation concludes with their recommended writers including Bill Campbell, J. Comer (Planetary Stories), Ayize Jama-Everett ( whose works include The Liminal War and The Entropy of Bones), Australian feminist writer Sylvia Kelso (The Blackston Gold and The Amberlight series), Aqueduct Press’s L. Timmel Duchamp (The Red Rose Rages Bleeding, The Marq’ssan Cycle, and more), Nigerian writer Tade Thompson (Making Wolf and Rosewater, Sept. 2016), Matt Ruff (Lovecraft Country) and Amy Wolf (The Misses Bronte’s Establishment).

gamutNews From the Weird: Special Guest Richard Thomas gives The Outer Dark listeners an exclusive sneak peek at the exciting plans for his highly anticipated new neo-noir spec-lit fiction magazine Gamut, featuring a who’s who of writers, artists and staff, and its Kickstarter campaign.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes  or Blubrry to make sure you don’t miss an episode.

Next week’s guest: Will Ludwigsen, author of In Search Of and Others (Lethe Press).

Please vote for The Outer Dark in the People’s Choice Project iRadio Podcast Awards. http://www.projectiradio.com/podcast-awards/

storiesforchipOrder The Outer Dark T-shirts at SkurvyInk: http://skurvyink.com/products/outerdark-shirt

More Links:

Bert and I: https://www.youtube.com/watch?v=EPGf77t9hRA

Stagecoach Mary: http://www.blackcowboys.com/maryfields.htm

https://en.wikipedia.org/wiki/King_Leopold%27s_Ghost

Review of Lovecraft Country by Nisi Shawl: http://www.seattletimes.com/entertainment/books/matt-ruffs-lovecraft-country-horrors-in-1950s-america/

http://www.thedarkhousepress.com/

lovecraftctryShow credits:

Host/Executive Producer: Scott Nicolay

Co-Host, News From the Weird/Producer: Justin Steele

Associate Producer/Show Notes/Publicist: Anya Martin

Logo Design: Nick “The Hat” Gucker

Music: Michael Griffin

Garrett Cook: Narrative Tyranny and the Gilawalrus in the Living Room | The Outer Dark: Episode 28 — JANUARY 21, 2016

Cook-HungryWallsGarrett Cook discusses his latest novel A God of Hungry Walls, an extreme, brutally transgressive and claustrophobic haunted house tale that not only pushes the limits of Bizarro but provides the latest twist on a lineage of “malevolent genius loci” that starts with Shirley Jackson’s The Haunting of Hill House. Twisted topics include the influence of “growing up in a grim and antiquated place,” i.e. New England, his commitment to make each story “really different,” literary and cinematic influences from Robert Marasco’s Burnt Offerings to Clive Barker’s Coldheart Canyon, uncomfortable intimacy among roommates, using narrative to invoke an unpleasant hypnotic state, his poetry roots, Dante (yes, that Dante), existential psychosis that doesn’t trace back to anything, avoiding haunted house story tropes such as the psychic, the microfiche research scene, the occult detective and the Scooby Doo ending, a Nouveau Roman approach that makes the novel seem like Jack Ketchum’s Last Spring at Marienbad,” the tyrannical nature of surrealism versus Bizarro’s narrative omnipotence, Jeff Burk’s couch, and bench-switching and writing in his own swan spot. Garrett also talks about some of his other works, including his first novel Murderland, his first foray into Bizarro Archelon Ranch, his intentionally historically inaccurate science fiction novel Time Pimp, and his short story collection You Might Just Make It Out of This Alive (Eraserhead Press).

widenerThe conversation then veers to the relationship between weird and Bizarro and Bizarro Central’s New Bizarro Author Series, which Garrett edited, including Karl Fischer’s Towers, Betty Rocksteady’s Arachnophile, Madeleine Swan’s Rainbows Suck, Chris MeekingsElephant Vice, Anthony Trevino’s King Space Void, Christoph Paul’s Slasher Camp for Nerd Dorks, Pedro Proença’s Benjamin and Lee Widener’s Rock n Roll Head Case, which Garrett calls the “absolute buy-ticket-and-ride” of the series or “Bill Plimpton’s Laser Blast.” He also “screams” about Autumn Christian, Danger Slater, and John Skipp, who is publishing them both via his Fungasm Press, a groundbreaking new imprint from Eraserhead. Finally: Garrett’s new performance series in Portland, Ore., Gilbert Road Grotesque, co-hosted by Alicia Graves, and hats.

furnace_cover_sm-662x1024News from the Weird:. Arkham Digest columnist/Strange Aeons fiction editor Justin Steele joins Scott once again with the latest about Livia Llewellyn, Richard Gavin, Xnoybis 2, Nightscript 2, Lost Signals, and more. Then special guest Michael Griffin unveils The Lure of Devouring Light, his much-anticipated first collection, now available for preorder from Word Horde Press and scheduled for release in April 2016. I have no erection, and am afraid that Levitra 20mg may be a problem. And Justin reviews Christopher Slatsky’s Alectryomancer and Other Weird Tales (Dunhams Manor Press).

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.

Next week’s guest: Mark Shapiro, marketing/brand management at Laika Studios (ParaNorman, Coraline) talks about this innovative stop-motion animation house’s upcoming release Kubo and the Two Strings.

More Links:

http://www.amazon.com/Autumn-Christian/e/B006QJ5USQ

http://www.theionpublishing.com/books/the-benighted-path-primeval-gnosis-and-the-monstrous-soul/

John C. Foster: On the Road of a Dark Americana | The Outer Dark: Episode 23 — DECEMBER 15, 2015

Dead-Men-updated-coverJohn C. Foster unburies the genesis of his Libros de Inferno trilogy (Perpetual Motion Machine Publishing) which starts with Dead Men, playing in an ugly rough reality that is slipping and in decay, how he develops his storytelling via set pieces and way stations, his repulsion for spoon-feeding readers, his fascination with the concept of dread and creating a sense of jeopardy even for a tough guy, aiming for a dark Americana, Dead Men’s setting in Texas and northern Mexico, moving the second novel Night Roads (Oct. 2016) to Louisiana, blending hard-boiled and noir with more horrific elements, square-jawed heroes versus flawed characters in new lives, a dialogue with Frankenstein’s creation, writing as a corridor with many windows and doors, a Star Wars interlude, his influences including Stephen King, Raymond Chandler and Donald Westlake’s Parker novels, his other upcoming novel which is a dark espionage thriller called Mr. White (Grey Matter Press, March 2016), why you should “get out of the way when you see that Foster-John Smith sketchblack Cadillac coming,” using Mad Max as a structural model, epic narratives such as Gilgamesh and the notion of demi-Gods, revealing character through action, burial suits, damned books, occult versus super-science, the fearlessness of Laird Barron, what’s next for John including another novel, collection and upcoming short stories including “Dead Air” in the highly anticipated Lost Signals, edited by Max Booth III, and his reading recommendations of other contemporary writers to watch including Peter Straub (Koko), Josh Malerman (Bird Box), Paul Tremblay (A Head Full of Ghosts) and Thomas Ligotti (Penguin editions).

case6.000x9.000.inddNews of the Weird with Justin Steele includes the monumental anthology Leena Krohn: Collected Fiction and the VanderMeer Winter Mix StoryBundle which also includes eBooks of Anna Tambour’s Crandolin, Michael Cisco’s The Narrator, and seven other exciting works, an exciting offer which expires on Dec. 31. Also another major story reveal from Lost Signals, edited by Max Booth III, another upcoming Laird Barron novella, an update on Lovecraft eZine’s Autumn Cthulhu Kickstarter, the Ramsey Campbell tribute anthology The Children of Gla’aki. edited by Brian M. Sammons and Glynn Owen Barrass (Dark Regions Press) and new books from Dunhams Manor Press. Plus, a clue about Stories from the Borderland #3, posting tomorrow at www.ScottNicolay.com and artist Michael Bukowski’s yogblogsoth.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.

Next week’s guest: Laird Barron and Justin Steele join Scott for a roundtable on The State of the Weird 2016.

It’s a great drug Ultram intended for the treatment of moderate to severe pain.

More Links:

http://chizinepub.com/books/license-expired

https://en.wikipedia.org/wiki/Leigh_Brackett

http://www.strange-aeons.com/

Old Weird, New Weird or Just Plain Weird? Panel at World Fantasy Convention 2015 | The Outer Dark: Special Presentation — NOVEMBER 13, 2015

November 7, 2015, World Fantasy Convention, Saratoga Springs, NY

Moderator: Thomas F. Monteleone. Panelists: Ellen Datlow, Michael Kelly, Anya Martin, Maura McHugh, Scott Nicolay

Description: When and where do they converge and converse?

weirdpanel-wfc2015Writers and editors discuss the roots and history of Weird fiction back to Weird Tales, 19th century authors and even The Iliad, editors’ perspectives on the Weird in their own work experiences, the Weird tale as independent of tropes, early definitions of the Weird by Le Fanu as a gothic supernatural tale and Lovecraft as dread-ridden cosmic horror, its evolution to an increasingly fluid and open vision and variety in the explosion of Weird fiction today, tapping into the strangeness of reality and the element of the unexplained but why not all odd stories are weird stories, where Weird tapers and becomes surreal, whether Weird fiction needs darkness as an ingredient and when fantasy and science fiction becomes Weird, writer Gemma Files’ suggestion from the audience that the nuance may lie in how the characters react to the Weird in the story, scares versus unease, David Lynch as Weird filmmaker, why keeping a wide open definition is better for nurturing the Weird, a peek inside the editorial process behind The Year’s Best Weird Fiction and the value of changing editors every year, the growing interest in the weird outside the spec-lit community and the upcoming Wave from Hollywood and mainstream publishing, a possible danger in letting the outside world define the weird, keeping the door open as long as we can, the role of the small presses in driving the Weird explosion, Weird as a pre-existing condition, Weird fiction in the novel form, the future of Weird fiction, the recurring theme in weird fiction of the environment rising up including when the environment is a house, when ghost stories can be weird stories, the etymology of the word “Weird” in the Anglo-Saxon “Wyrd” and its many connotations including fate/destiny/transformation, why the word “Weird” is Weird itself, following the River to an inevitable destiny versus appeal of unpredictability to the reader, Jack Spicer’s Martian, and many, many recommended authors from the 19th century to now.

However, as these drugs cause addiction and their action becomes less expressed, Tramadol 100mg is just a step between the NSAIDs and narcotic analgesics.

Thanks to Stephen Barringer for the panel photo.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.

More links:

http://borderlandspress.com/

http://www.hplovecraft.com/writings/texts/essays/shil.aspx

http://weirdfictionreview.com/2011/11/dogme-2011-for-weird-fiction-by-scott-nicolay/

http://weirdfictionreview.com/2014/11/the-expanding-borders-of-area-x/

Varieties of Weirdness Panel at BizarroCon 2015 | The Outer Dark: Special Presentation — NOVEMBER 9, 2015

bizarroconpanelModerator: Ross E. Lockhart. Panelists: Garrett Cook, G. Arthur Brown, Mike Griffin, Rios De La Luz.

Writers and editors working in Bizarro and Weird discuss the Germanic origins of the word “weird” in “wyrd” and how its association with fate and destiny continues in the contemporary Weird narrative form, whether Weird and Bizarro grew out of same sense of the Weird or are unrelated movements, authors who have walked between the lines of Weird or Bizarro in mind-blowing works of fiction, film and comics, the importance of dream realms and logic in Bizarro Weird fiction, if New Weird and Bizarro are different blurry wings on the same creature, similarities to the loud versus quiet horror rift, artificial taxonomies and bleed-through, slipstream as literary effect, Bizarro as a movement and a community, irreality versus surreality and how it might relate to Weird, objective vs. subjective lies, magic in fantasy versus Bizarro, and more.

Thanks to Helen Hopley for the panel photo.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes  or Blubrry to make sure you don’t miss an episode.

More Links:

http://bizarrocon.com/

http://www.fedoganandbremer.com/products/ana-kai-tangata-deluxe-limited

http://wordhorde.com/

http://cafeirreal.alicewhittenburg.com/index.htm

Next on Nov. 11: Orrin Grey, author of Painted Monsters & Other Strange Beasts.

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